tag:blogger.com,1999:blog-9050098556844132302024-03-20T11:36:51.477-07:00SHORT CIRCUITADVENTURES IN SHORT DOCSUnknownnoreply@blogger.comBlogger21125tag:blogger.com,1999:blog-905009855684413230.post-91527785754529468972018-06-13T01:31:00.000-07:002018-06-13T01:43:18.232-07:00TRANSFORM<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjh0oO1Dt1m4xzkMZ5uzbuBMuj90W9JjYmfVbSKsbsFPXaNzxJMWteIGheBD-5y3sGzHwidf2W8TmoP2yNvAMwaDqpf7y5uAOlIxiENl0JUQM5C4tp5u4PIawUQNV9qfBuMCM1QXA8zbco/s1600/dream.jpg" imageanchor="1" style="background-color: transparent; clear: left; float: left; margin-bottom: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="797" data-original-width="1414" height="112" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjh0oO1Dt1m4xzkMZ5uzbuBMuj90W9JjYmfVbSKsbsFPXaNzxJMWteIGheBD-5y3sGzHwidf2W8TmoP2yNvAMwaDqpf7y5uAOlIxiENl0JUQM5C4tp5u4PIawUQNV9qfBuMCM1QXA8zbco/s200/dream.jpg" width="200" /></a><span style="background: white; font-family: "franklin gothic demi cond" , sans-serif; font-size: 10pt;"><span style="color: #783f04;"><b>DREAM GIRL
Oliver Schwarz 20:00 mins</b><o:p></o:p></span></span></div>
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<span style="background: white; font-family: "arial" , sans-serif; font-size: 9.5pt;"><span style="color: #783f04;">For most
of his life, Dirk has been searching for the woman of his dreams. After several
failed relationships and a burnout, he finally seems to have found the love of
his life, Jenny: the perfect match at first sight – but somehow fundamentally
different. The short film takes the viewer into a world between imagination and
reality that is both strange and surprisingly familiar.<o:p></o:p></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEio2CWHs29XLdJkMGbieeWayWL7POJbLzdZpCLTfjMr21aWsaCKXAdzBZIoTJYSy8NWQAyktA-gSr1jMyshD91YQoaOtuvaLEe5e8hIylNnj1RTOIvqUYuSJiuE8gvkNKyoCwpm_sEzIVg/s1600/rt.JPG" imageanchor="1" style="background-color: transparent; clear: left; float: left; margin-bottom: 1em; margin-right: 1em; text-align: center;"><span style="color: #783f04;"><img border="0" data-original-height="702" data-original-width="1235" height="113" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEio2CWHs29XLdJkMGbieeWayWL7POJbLzdZpCLTfjMr21aWsaCKXAdzBZIoTJYSy8NWQAyktA-gSr1jMyshD91YQoaOtuvaLEe5e8hIylNnj1RTOIvqUYuSJiuE8gvkNKyoCwpm_sEzIVg/s200/rt.JPG" width="200" /></span></a><span style="font-family: "franklin gothic demi cond" , sans-serif; font-size: 10.0pt;"><span style="color: #783f04;"><b>RICHARD TWICE<span style="mso-spacerun: yes;">
</span>Matthew Salton <span style="mso-spacerun: yes;"> </span>10:25 min</b><o:p></o:p></span></span></div>
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<span style="font-family: "arial" , sans-serif; font-size: 9.5pt;"><span style="color: #783f04;">Richard Atkins, the singer and songwriter of the
early 70’s California psychedelic folk duo ‘Richard Twice’, was on his way to
stardom and a huge success with his first debut album when he mysteriously
walked away from it all.<o:p></o:p></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0snbeYVsrlCbQ5J-c0X8jsjcpVXt4hL1gIc155raUk5ugTlqVfIrufxrzU-QyIJGcznFUgaUsWfpS-bbB1DZ9EUuoV4KErmaO6yxdCtqM9TnxahzZA5tL36SCl-4aymCU15FlQmqNoic/s1600/341A0731.CR2.p.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="433" data-original-width="650" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0snbeYVsrlCbQ5J-c0X8jsjcpVXt4hL1gIc155raUk5ugTlqVfIrufxrzU-QyIJGcznFUgaUsWfpS-bbB1DZ9EUuoV4KErmaO6yxdCtqM9TnxahzZA5tL36SCl-4aymCU15FlQmqNoic/s200/341A0731.CR2.p.jpg" width="200" /></a></div>
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<span style="font-family: "franklin gothic demi cond" , sans-serif; font-size: 10pt;"><span style="color: #783f04;"><b>GYRECRAFT
Swine Studio 4:46 mins</b><o:p></o:p></span></span></div>
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<span style="color: #783f04;"><span style="font-family: "arial" , sans-serif; font-size: 9.5pt;">A short film bout crafting objects at sea, in
the past with whale’s teeth and the future with caught plastic melted with a
machine harnessing the sun.<o:p></o:p></span></span></div>
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<span style="font-family: "arial" , sans-serif; font-size: 9.5pt;"><span style="color: #783f04;">Gyrecraft is an exploration into
maritime crafts which exists in every coastal or island culture around the
world each with its own unique identity, utilising what the sea provides. Many
of these crafts took place onboard boats during long voyages as a way of making
vital repairs or passing the time at sea.</span><span style="color: #262626;"><o:p></o:p></span></span></div>
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<span style="font-family: "franklin gothic demi cond" , sans-serif; font-size: 10.0pt;"><span style="color: #783f04;"><b>TOM LOCK GRIFFITHS<span style="mso-spacerun: yes;">
</span>Waterfall<span style="mso-spacerun: yes;"> </span>18.00 mins</b><o:p></o:p></span></span></div>
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<span style="background: white; font-family: "arial" , sans-serif; font-size: 9.5pt;"><span style="color: #783f04;">WATERFALL is a film about grief and memory and being underwater.<o:p></o:p></span></span></div>
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<b style="color: #783f04; font-family: arial, sans-serif; font-size: 9.5pt;">KELLY GALLAGHER More Dangerous Than A Thousand Rioters </b></div>
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<span style="background: white; font-family: "arial" , sans-serif; font-size: 9.5pt;"><span style="color: #783f04;"><b>6:18 mins</b></span></span><br />
<span style="background: white; font-family: "arial" , sans-serif; font-size: 9.5pt;"><span style="color: #783f04;">An experimental animated documentary exploring the powerful and
inspiring life of revolutionary Lucy Parsons. This film illustrates her dedicated
life to struggle, and her important, countless contributions fighting endlessly
against capitalism, racism, and sexism.<o:p></o:p></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6z7ZuNfT7DIYrZsfjXQ9K69t3tfja-HTq6xxawfhJL1qbbv4C4anRAvUC-K6IZANO92NnwKqsDFugnbqMXbnmfpyhUlQwyk08-OBtDi7GU-cMvIzLrkFVQtz2uEt6M1y9OiUwVCp9WfY/s1600/Xcountry.JPG" imageanchor="1" style="background-color: transparent; clear: left; float: left; margin-bottom: 1em; margin-right: 1em; text-align: center;"><span style="color: #783f04;"><img border="0" data-original-height="569" data-original-width="1600" height="70" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6z7ZuNfT7DIYrZsfjXQ9K69t3tfja-HTq6xxawfhJL1qbbv4C4anRAvUC-K6IZANO92NnwKqsDFugnbqMXbnmfpyhUlQwyk08-OBtDi7GU-cMvIzLrkFVQtz2uEt6M1y9OiUwVCp9WfY/s200/Xcountry.JPG" width="200" /></span></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6z7ZuNfT7DIYrZsfjXQ9K69t3tfja-HTq6xxawfhJL1qbbv4C4anRAvUC-K6IZANO92NnwKqsDFugnbqMXbnmfpyhUlQwyk08-OBtDi7GU-cMvIzLrkFVQtz2uEt6M1y9OiUwVCp9WfY/s1600/Xcountry.JPG" imageanchor="1" style="background-color: transparent; clear: left; float: left; margin-bottom: 1em; margin-right: 1em; text-align: center;"><span style="color: #783f04;"><br /></span></a><a href="https://www.blogger.com/null" name="_Hlk515650166"><span style="font-family: "franklin gothic demi cond" , sans-serif; font-size: 10pt;"><b><span style="color: #783f04;"></span></b></span></a></div>
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<span style="mso-bookmark: _Hlk515650166;"><span style="font-family: "arial" , sans-serif; font-size: 9.5pt;"><span style="color: #783f04;"><b>XCOUNTRY Bill Brown 6:18 mins</b></span></span></span><br />
<span style="mso-bookmark: _Hlk515650166;"><span style="font-family: "arial" , sans-serif; font-size: 9.5pt;"><span style="color: #783f04;">The film is about a life
transformation: a short autobiographical reflection on packing up and leaving
one hometown and going in search of a new one. The film re-works 16mm footage
that shot during a cross-country move from Chicago to Las Vegas. The spatial
discontinuities of the road trip are rendered as visual continuities across
three frame</span></span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvGmmYs0Zeloi3wWOpis7G_lYoEGccoMzJqrccQvU1zWBwr11RSk2LY5c62iMb-SIRWeEejcP9E6QshNCvLOnxzNvcAntLLIRnEb5WzAFOtklimUzBdoYEn0PSHmD9Owr6zew61aEBiyo/s1600/traces-birds1.jpg" imageanchor="1" style="background-color: transparent; clear: left; float: left; margin-bottom: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="900" data-original-width="1600" height="112" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvGmmYs0Zeloi3wWOpis7G_lYoEGccoMzJqrccQvU1zWBwr11RSk2LY5c62iMb-SIRWeEejcP9E6QshNCvLOnxzNvcAntLLIRnEb5WzAFOtklimUzBdoYEn0PSHmD9Owr6zew61aEBiyo/s200/traces-birds1.jpg" width="200" /></a><span style="color: #783f04; font-family: "franklin gothic demi cond" , sans-serif; font-size: 10.0pt;"><b></b></span><br />
<span style="color: #783f04; font-family: "franklin gothic demi cond" , sans-serif; font-size: 10.0pt;"><b><b style="font-size: 10pt;">TRACES<span style="mso-spacerun: yes;"> </span>Jean Michel Rolland 1:00 mins</b></b></span><br />
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<span style="color: #783f04; font-family: "helvetica" , sans-serif; font-size: 9.0pt;">Transformation
of the reality of a group of birds by adding the near past.<o:p></o:p></span></div>
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<span style="color: #783f04; font-family: "helvetica" , sans-serif; font-size: 9.0pt;">Another
point of view on a slice of life of starlings gathering on a crane in Marseille
before their big departure to Africa.<o:p></o:p></span><br />
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<b style="font-size: 10pt;"><span style="color: #783f04; font-family: "arial" , "helvetica" , sans-serif;">STREET
OF DEATH Karam Ghossein 22:00 mins</span></b></div>
<span style="background-color: white; color: #783f04; font-family: arial, sans-serif; font-size: 9.5pt; letter-spacing: 0.1pt;">Street of Death won the Audi Short Film Award at last year's
Berlinale and is an experimental autobiographical film – a portrait of the
filmmakers teenage years spent in a slum suburb, which is sandwiched between
Beirut's international airport and a coastal highway colloquially known by the
same name as the title</span><br />
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<span style="color: #262626; font-family: "franklin gothic demi cond" , sans-serif; font-size: 10.0pt;">FOLLOW
US ON</span><span style="background: white; color: #262626; font-family: "franklin gothic demi cond" , sans-serif; font-size: 22.0pt;"><o:p></o:p></span></div>
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<span style="color: #262626; font-family: "times new roman" , serif; font-size: 9.0pt; line-height: 115%;">Instagram<span style="mso-spacerun: yes;"> </span></span><span style="color: #262626; font-family: "franklin gothic demi cond" , sans-serif; font-size: 9.0pt; line-height: 115%;">shortcircuitshorts
</span><b style="mso-bidi-font-weight: normal;"><span style="color: #262626; font-family: "times new roman" , serif; font-size: 9.0pt; line-height: 115%;"><span style="mso-spacerun: yes;"> </span></span></b><span style="color: #262626; font-family: "times new roman" , serif; font-size: 9.0pt; line-height: 115%;"><span style="mso-spacerun: yes;"> </span><o:p></o:p></span></div>
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<span style="color: #262626; font-family: "times new roman" , serif; font-size: 9.0pt; line-height: 115%;">Twitter<span style="mso-spacerun: yes;"> </span></span><span style="color: #262626; font-family: "franklin gothic demi cond" , sans-serif; font-size: 9.0pt; line-height: 115%;">@1shortcircuit<span style="mso-spacerun: yes;"> </span>#TRANSFORM<o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="color: #262626; font-size: 10.0pt;">Programmed
by Jayne Wilson<o:p></o:p></span></b></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-905009855684413230.post-27972963601425403352018-05-07T07:14:00.000-07:002018-06-13T01:43:34.012-07:00TRANSFORM<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnc234xQUMY-_VmTYXXP9Zc73V5okF4yMhA13R-1BvyNhw2_Ly75UkK5tf9a6beJ-FxIqtw5OCEr3qcsfyoUXbgdl-wWD8kOCBz2_0dN78-bx2Ts2Y6F4i7kYzmiYe7TCdXcUPPW3p1DQ/s1600/A6_transform.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1154" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnc234xQUMY-_VmTYXXP9Zc73V5okF4yMhA13R-1BvyNhw2_Ly75UkK5tf9a6beJ-FxIqtw5OCEr3qcsfyoUXbgdl-wWD8kOCBz2_0dN78-bx2Ts2Y6F4i7kYzmiYe7TCdXcUPPW3p1DQ/s640/A6_transform.jpg" width="460" /></a></div>
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<strong style="color: #444444; font-family: Arial, Helvetica, sans-serif;"><span lang="EN" style="font-weight: normal;">Exploring the power of change</span></strong><span lang="EN-GB" style="color: #444444; font-family: "arial" , "helvetica" , sans-serif;"> from biographical, urban, life changing and more join us for this compelling
and </span><strong style="color: #444444; font-family: Arial, Helvetica, sans-serif;"><span lang="EN" style="font-weight: normal;">eclectic mix of experimental
short docs that take the theme of TRANSFORM. Featuring emerging and award
winning international filmmakers.</span></strong></div>
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<strong style="color: #444444; font-family: Arial, Helvetica, sans-serif;"><span lang="EN" style="font-weight: normal;"><br /></span></strong></div>
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<strong style="color: #444444; font-family: Arial, Helvetica, sans-serif;"><span lang="EN" style="font-weight: normal;">Tickets <a href="https://www.eventbrite.co.uk/e/transform-tickets-45856439846" target="_blank">HERE</a></span></strong></div>
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<br />Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-905009855684413230.post-53866332114769359242018-01-04T05:30:00.002-08:002018-02-07T00:56:40.699-08:00 UNCANNY <div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdeakM7bKcPWpOcWu5h3Et1RfVLUDmKSk7K1sXHRx0DoerDUkLB6O_b5nOcoTw_m_noCXxJ2u27ulJ4Ox1PrP30QBb3eStlRo3bBXpkJ7Oi-8dtyuTU-Ww1vF55aiVk8BXhTz5n38djDs/s1600/header++EVENTBRITE.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="965" height="358" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdeakM7bKcPWpOcWu5h3Et1RfVLUDmKSk7K1sXHRx0DoerDUkLB6O_b5nOcoTw_m_noCXxJ2u27ulJ4Ox1PrP30QBb3eStlRo3bBXpkJ7Oi-8dtyuTU-Ww1vF55aiVk8BXhTz5n38djDs/s640/header++EVENTBRITE.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgS1uwN-z0dW0mz7k6epQbx3tPaSvYT0XXkO8ilL9IAO_b7PiWo4mmL2ddv4Bm0G5qRgMLK1vM6UXqwK0MJ5RVSnGpEElQDExq5bbAvPKuJt3Pkq3jY9N-y8L9rxAS9Gvf2lZxc8X6DvW4/s1600/Jesse_01.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="965" height="111" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgS1uwN-z0dW0mz7k6epQbx3tPaSvYT0XXkO8ilL9IAO_b7PiWo4mmL2ddv4Bm0G5qRgMLK1vM6UXqwK0MJ5RVSnGpEElQDExq5bbAvPKuJt3Pkq3jY9N-y8L9rxAS9Gvf2lZxc8X6DvW4/s200/Jesse_01.JPG" width="200" /></a></div>
<b><span style="background-color: white; color: #262626; font-family: "franklin gothic demi cond" , sans-serif; font-size: 10pt;">WHEREVER
YOU GO, THERE WE ARE</span><span style="background-color: white; color: #262626; font-family: "franklin gothic demi cond" , sans-serif; font-size: 10pt;"> </span><span style="background-color: white; color: #262626; font-family: "franklin gothic demi cond" , sans-serif; font-size: 10pt;">Jesse McLean</span><span style="background-color: white; color: #262626; font-family: "franklin gothic demi cond" , sans-serif; font-size: 10pt;"> </span></b><br />
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<span style="color: #262626; font-family: "arial" , sans-serif; font-size: 9.5pt; letter-spacing: 0.1pt;">In this experimental travelogue, efforts to sound human and
look natural become artificial. The scenery is provided through photochrome
vintage postcards, displaying not only scenic North American landscapes but
also the rise of infrastructure and industry. Aspiring to look more realistic
by adding colour to a black and white image, the postcards instead become
documents of the fantastic. <o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHdWyNfXfCcuoJIhMnZnGFfWNhUwtnyT9NeZZ9zf68BaHnzMhKasEntJJsHAZ3DBz1tR7by_rgNhQDepa48vntOHXsUeLoav-AJhrjGyavIKaRXKE2p1fbXgr8dMU3nqV5z5GDbjpgLOI/s1600/atoosa.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="849" data-original-width="1495" height="113" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHdWyNfXfCcuoJIhMnZnGFfWNhUwtnyT9NeZZ9zf68BaHnzMhKasEntJJsHAZ3DBz1tR7by_rgNhQDepa48vntOHXsUeLoav-AJhrjGyavIKaRXKE2p1fbXgr8dMU3nqV5z5GDbjpgLOI/s200/atoosa.JPG" width="200" /></a></div>
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<span style="color: #262626; font-family: "franklin gothic demi cond" , sans-serif; font-size: 10pt;"><b>MIRAGE
Atoosa Pour Hosseini</b> <o:p></o:p></span></div>
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<span style="color: #262626; font-family: "arial" , sans-serif; font-size: 9.5pt;">Mirage
evokes a desert landscape but it is the cinematic image itself that is the
mirage. Working with the material textures of Super-8 film, Mirage presents two
visual planes: the captured image and the surface of the film strip itself. <o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxLaLXIPzpOrkfkOryI724WZVguDeYXLsGkJuoyElxKPlE1BhqayNaW9XdiCtuxXOVLaJq2L7LPGHMrISetfCaXQ1qvq2PamRzzAhg961adnJgOmLsBkBD94gLZTzpup7RVcO28nF3TDM/s1600/Whernormal.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="112" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxLaLXIPzpOrkfkOryI724WZVguDeYXLsGkJuoyElxKPlE1BhqayNaW9XdiCtuxXOVLaJq2L7LPGHMrISetfCaXQ1qvq2PamRzzAhg961adnJgOmLsBkBD94gLZTzpup7RVcO28nF3TDM/s200/Whernormal.jpg" width="200" /></a></div>
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<span style="color: #262626; font-family: "franklin gothic demi cond" , sans-serif; font-size: 10.0pt;"><b>NORMAL
EVENTS </b></span><b style="color: #262626; font-family: "franklin gothic demi cond", sans-serif; font-size: 10pt;">Vadim Gershmen & Frank Heatley</b><span style="color: #262626; font-family: "franklin gothic demi cond", sans-serif; font-size: 10pt;"> </span></div>
<div class="m-7972949774280830185gmail-p1" style="background: white; margin-bottom: .0001pt; margin: 0cm;">
<span style="color: #262626; font-size: 9pt;"><span style="font-family: "arial" , "helvetica" , sans-serif;">This project began as a collection of everyday beauty,
documenting and collecting clusters of hazard lights around Minneapolis. The
resulting video took the form of an absurd orchestra resulting in something we
hope is at once familiar and very unfamiliar.</span><span style="font-family: "helvetica" , sans-serif;"><o:p></o:p></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCxvcXuXIGFQmc2VmIcNV5CLzUNZtmcWBxH54sn_fgVquA1uFzEe_602d3vpbVIytu0vwl3g7z1TAiO0YpjumKZFc_TqEo1cWpUn1x201xLDo5ehLG8yAM-txmPOpc4DJRhK2MLstK2DU/s1600/peter+lichter.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="486" data-original-width="718" height="135" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCxvcXuXIGFQmc2VmIcNV5CLzUNZtmcWBxH54sn_fgVquA1uFzEe_602d3vpbVIytu0vwl3g7z1TAiO0YpjumKZFc_TqEo1cWpUn1x201xLDo5ehLG8yAM-txmPOpc4DJRhK2MLstK2DU/s200/peter+lichter.JPG" width="200" /></a></div>
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<span style="color: #262626; font-family: "franklin gothic demi cond" , sans-serif; font-size: 10.0pt;"><b>NON
PLACES;BEYOND THE INFINITE Peter Lichter</b>
<o:p></o:p></span></div>
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<span style="color: #262626; font-family: "arial" , sans-serif; font-size: 9.5pt;">Marc
Augé's essay (Non-Places: Introduction to an Anthropology of Supermodernity)
meets with Stanley Kubrick's 2001: A Space Odyssey in some Hungarian highway
rest areas. <o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjn4VekyIpTRTVpCAUCBrzrhpuGZETRXaAAMYdZqeJj7X4eCebRYSm-0rDuYOBJwLNHTjMQlskN7Pmpp3FU45oL0Jlboyd2xJoK16_Vhik5C8UEwruDqBTO2u6RRpKsEHjHYgtLt89eNHM/s1600/Kent-Tate-Utopia-deer-mountain-1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="112" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjn4VekyIpTRTVpCAUCBrzrhpuGZETRXaAAMYdZqeJj7X4eCebRYSm-0rDuYOBJwLNHTjMQlskN7Pmpp3FU45oL0Jlboyd2xJoK16_Vhik5C8UEwruDqBTO2u6RRpKsEHjHYgtLt89eNHM/s200/Kent-Tate-Utopia-deer-mountain-1.jpg" width="200" /></a></div>
<span style="color: #262626; font-family: "franklin gothic demi cond" , sans-serif; font-size: 10pt;"><b>UTOPIA Kent
Tate</b> <o:p></o:p></span></div>
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<span style="color: #262626; font-family: "arial" , sans-serif; font-size: 9.5pt;">The
purpose of this or that, or its role in enabling a sense of security or status <o:p></o:p></span></div>
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<span style="color: #262626; font-family: "arial" , sans-serif; font-size: 9.5pt;">is
ephemeral, depending on factors that may or may not be readily apparent. As
systems shift from one emphasis to another, or as one system supplants another,
the meaning of something can be altered to such a degree that a new description
may be required to understand its context.<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBG4OCd8XVZlLL_FMCKf8GL8G-BNTQ23TcWe9Pl4Fn_YhbKVwEMbLONJh3h-q_XTRY7oB5DRHeoTg8DjxtMh-H7QELyXD7FQgzKuSzQlhS8CWh7R2zt4K5ROWl6H2h7PSN9Zye0IuUC48/s1600/exile.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" height="112" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBG4OCd8XVZlLL_FMCKf8GL8G-BNTQ23TcWe9Pl4Fn_YhbKVwEMbLONJh3h-q_XTRY7oB5DRHeoTg8DjxtMh-H7QELyXD7FQgzKuSzQlhS8CWh7R2zt4K5ROWl6H2h7PSN9Zye0IuUC48/s200/exile.jpg" width="200" /></a></div>
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<span style="color: #262626; font-family: "franklin gothic demi cond" , sans-serif; font-size: 10.0pt;"><b>EXILE
EXOTIC Sasha Litvintseva </b><o:p></o:p></span></div>
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<span style="color: #262626; font-family: "arial" , sans-serif; font-size: 9.5pt;">Steeped in elliptical history and
historical simulacra, Exile Exotic is set at a hotel that is a replica of the
Kremlin. Narrating the exotic beginnings of my mother's and my exile from
Russia, the film serves as a platform for us to visit the Kremlin again, albeit
by the side of a pool. Soundtracked by an operatic score reminiscent of the
song of the sirens making Odysseus stray on his long journey home, our story
reverberates throughout the scope of Russian history's limiting of free
movement of individuals. This film is a pilgrimage. This film comes in waves.<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjn2OJ7kTTCEb3B8RaoxkublbJuZ_L464UcmhocN95yxXInL-dyI8yKqb9MhRONMs8Io97dypfDEzLxyirlbU9174xJhGmy7my2IjaBUICkgFqM9iVymqXEWTk8ctw187rf0b1QLjxqZ-o/s1600/Once_It_Started_It_Could_Not_End_Otherwise.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="112" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjn2OJ7kTTCEb3B8RaoxkublbJuZ_L464UcmhocN95yxXInL-dyI8yKqb9MhRONMs8Io97dypfDEzLxyirlbU9174xJhGmy7my2IjaBUICkgFqM9iVymqXEWTk8ctw187rf0b1QLjxqZ-o/s200/Once_It_Started_It_Could_Not_End_Otherwise.jpg" width="200" /></a></div>
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<span style="color: #262626; font-family: "franklin gothic demi cond" , sans-serif; font-size: 10.0pt;"><b>KELLY
SEARS Once It Started It Could Not End
Otherwise </b><o:p></o:p></span></div>
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<span style="color: #262626; font-family: "arial" , sans-serif; font-size: 9.5pt;">Candid photos
from 1970s high school yearbooks resurface in an eerie minimalist horror story.<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuqjA1M4hs5jM3L5zU_pg-5l7cbYMiK6wkwshJEO1oZqXP3WtKKXwYE1aazgCtjUtFbIt-ntOgmXrGegqMQWq3pkMQoFG7Lsb5vRQAhoy4tfTZCGxiNwD4oAbD_nD1-hqL2A3hrFSfuIU/s1600/Confidente_still_3.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1325" height="162" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuqjA1M4hs5jM3L5zU_pg-5l7cbYMiK6wkwshJEO1oZqXP3WtKKXwYE1aazgCtjUtFbIt-ntOgmXrGegqMQWq3pkMQoFG7Lsb5vRQAhoy4tfTZCGxiNwD4oAbD_nD1-hqL2A3hrFSfuIU/s200/Confidente_still_3.jpg" width="200" /></a></div>
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<span style="color: #262626; font-family: "franklin gothic demi cond" , sans-serif; font-size: 10pt;"><b>CONFIDENTE Karen
Akerman & Miguel Seabra Lopes </b><o:p></o:p></span></div>
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<span style="color: #262626; font-family: "arial" , sans-serif; font-size: 9.5pt;">If I didn’t
blossom, if I remained ‘unbloomed’, it’s because my roots were poisoned. I know
it's false, an induced error, but... this is me. From the editing of archive
footage, “Confidente” traces its narrative using methods of deconstruction from
experimental cinema and associations of ideas close to surrealism. An obsessive
repetition of sounds and images is used to sketch out a psychological portrait
of a man, in brief notes uncannily associated with past events. <o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsc0TWDdZfEBXLMMYM9zNj_lbjye9cO8o8KyQ_iyXl0KP1PqylMsOWxkQpNTJedG2o_AuL9t33thV86SkRM2UwzBxYkntoibK7k3vPRzmvzrHi3LdoPWEUpApcwkydWIHdQxOJbix_Dzc/s1600/Lungi.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="460" data-original-width="949" height="96" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsc0TWDdZfEBXLMMYM9zNj_lbjye9cO8o8KyQ_iyXl0KP1PqylMsOWxkQpNTJedG2o_AuL9t33thV86SkRM2UwzBxYkntoibK7k3vPRzmvzrHi3LdoPWEUpApcwkydWIHdQxOJbix_Dzc/s200/Lungi.JPG" width="200" /></a></div>
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<span lang="IT" style="color: #262626; font-family: "franklin gothic demi cond" , sans-serif; font-size: 10.0pt;"><b>LUNGI DAL CARO BENE Stuart Pound </b><o:p></o:p></span></div>
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<span style="color: #262626; font-family: "arial" , sans-serif; font-size: 9.5pt;">An image of the
young Ezio Pinza and an old vinyl recording of this great Italian singer are
brought together in an uncanny portrait.<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwCrK_-RP_AjNztZC5TR004n5hGyEgzH56Q31lfBy4KUtB3vuqGtzjs3zhWN54VMwQ3dlhqQoWUtcdkg_YUyzN7uwUi1qL7DiOA6DdTMuDE4aGHVMf8NbbgQKpuk_LvqKDSBVoFVLqVZ8/s1600/TheDouble.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="281" data-original-width="500" height="111" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwCrK_-RP_AjNztZC5TR004n5hGyEgzH56Q31lfBy4KUtB3vuqGtzjs3zhWN54VMwQ3dlhqQoWUtcdkg_YUyzN7uwUi1qL7DiOA6DdTMuDE4aGHVMf8NbbgQKpuk_LvqKDSBVoFVLqVZ8/s200/TheDouble.jpg" width="200" /></a></div>
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<span style="color: #262626; font-family: "franklin gothic demi cond" , sans-serif; font-size: 10.0pt;"><b>THE
DOUBLE Roy Villevoye & Jan Dietvorst</b></span><b style="color: #262626; font-family: "Franklin Gothic Demi Cond", sans-serif; font-size: 10pt;"> </b></div>
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<span style="color: #262626; font-family: "arial" , sans-serif; font-size: 9.0pt;">A painstakingly realistic
sculpture of a middle-aged man is made in a workshop. While his exterior is
fabricated, a voice-over spoken by people who knew him breathes life into him.</span><span style="color: #262626; font-family: "franklin gothic demi cond" , sans-serif; font-size: 10.0pt;"><o:p></o:p></span></div>
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<span style="color: #262626; font-family: "franklin gothic demi cond" , sans-serif; font-size: 10pt;">FOLLOW
US ON</span></div>
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<span style="color: #262626; font-family: "times new roman" , serif; font-size: 9.0pt; line-height: 115%;">Instagram </span><span style="color: #262626; font-family: "franklin gothic demi cond" , sans-serif; font-size: 9.0pt; line-height: 115%;">shortcircuitshorts
</span><b><span style="color: #262626; font-family: "times new roman" , serif; font-size: 9.0pt; line-height: 115%;"> </span></b><span style="color: #262626; font-family: "times new roman" , serif; font-size: 9.0pt; line-height: 115%;"> <o:p></o:p></span></div>
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<span style="color: #262626; font-family: "times new roman" , serif; font-size: 9.0pt; line-height: 115%;">Twitter </span><span style="color: #262626; font-family: "franklin gothic demi cond" , sans-serif; font-size: 9.0pt; line-height: 115%;">@1shortcircuit #UNCANNY<o:p></o:p></span></div>
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<b><span style="color: #262626; font-size: 10.0pt;">Programmed
by Jayne Wilson<o:p></o:p></span></b></div>
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<span style="color: #262626; font-family: "arial" , sans-serif; font-size: 9.0pt;">Special thanks to Daniela
Norton for Short Circuit, Grand Central, & Argos distribution for The Double.<b> </b></span></div>
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<span style="color: #262626; font-family: "arial" , sans-serif; font-size: 9.0pt;"><b> <o:p></o:p></b></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEcfSNLeC4IjvXOtMe4q4tg3rJW-0WF2nllWQz1mJhVvIL2ztL17L_6Xlltd0qGSauG0PbABAr7Vo1ZQoiLiMpnYoc6A-KDmrLxiD80NBKsueOmAl9uGkhoC2qXY226FwcowMPsbH1k1A/s1600/__ALWAYS_USE_MOST_RECENT_LOGO__.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="308" data-original-width="1000" height="61" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEcfSNLeC4IjvXOtMe4q4tg3rJW-0WF2nllWQz1mJhVvIL2ztL17L_6Xlltd0qGSauG0PbABAr7Vo1ZQoiLiMpnYoc6A-KDmrLxiD80NBKsueOmAl9uGkhoC2qXY226FwcowMPsbH1k1A/s200/__ALWAYS_USE_MOST_RECENT_LOGO__.jpg" width="200" /></a><b><span style="color: #262626; font-size: 10.0pt;"> </span></b></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-905009855684413230.post-46347736758689079312017-08-22T10:21:00.000-07:002017-09-28T01:39:54.415-07:00TRUTH & LIES<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqVX0HL4Fu6Vc0jyJyOooRZDxigLmonzVSgV-aOqXZh9GmSHIhYQGcT56WrS9wMcPAK9DlDCjrdlfUphyphenhyphenerOf0ieTHRcEyVb0Sob-_btJJkfO0B2oQltKQWq_QRILph3FsxWbOgBA313Y/s1600/TRUTH.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1155" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqVX0HL4Fu6Vc0jyJyOooRZDxigLmonzVSgV-aOqXZh9GmSHIhYQGcT56WrS9wMcPAK9DlDCjrdlfUphyphenhyphenerOf0ieTHRcEyVb0Sob-_btJJkfO0B2oQltKQWq_QRILph3FsxWbOgBA313Y/s640/TRUTH.jpg" width="460" /></a></div>
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<span style="color: #660000; font-family: "arial" , "helvetica" , sans-serif;">One of our most exciting events to date and proud to be part of this year's </span><a href="https://scalarama.com/brighton/" style="font-family: arial, helvetica, sans-serif;" target="_blank">Scalarama Film Festival</a><br />
<span style="color: #660000; font-family: "arial" , "helvetica" , sans-serif;"><br /></span><span style="color: #660000; font-family: "arial" , "helvetica" , sans-serif;">Thank you to all the filmmakers........ </span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAfbhB9JN2EnIZYF03SopQtJGxd6KEp1nhVWoCCUXm_B28WylzlrlI0QwK-WjVxU-tYj5oDS7AuPEY2l1OBCTYYb2FNeq2Moq0ayzKGCvrJ81ToljX_3irf5UEzdpImavkKszSUiIJxvw/s1600/jim.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" height="112" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAfbhB9JN2EnIZYF03SopQtJGxd6KEp1nhVWoCCUXm_B28WylzlrlI0QwK-WjVxU-tYj5oDS7AuPEY2l1OBCTYYb2FNeq2Moq0ayzKGCvrJ81ToljX_3irf5UEzdpImavkKszSUiIJxvw/s200/jim.jpg" width="200" /></a></div>
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<span style="font-family: "franklin gothic demi cond" , sans-serif; font-size: 10.0pt;"><span style="color: #660000;"><b>MY SISTERS DOLLHOUSE </b> Jim Archer 2:27 mins<o:p></o:p></span></span></div>
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<span style="color: #660000;"><span style="font-family: "arial" , sans-serif; font-size: 9.5pt;">A filmmaker tries to discover himself by making a film... he
fails.<br />
A parody, of sorts.</span><span style="font-family: "franklin gothic demi cond" , sans-serif; font-size: 10.0pt;"><o:p></o:p></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSsq7m5ZoMR7KpzBqO8rrocPKLWD0iKZ3SNmja1woEkHqZzpm4QMVFrZBs02lp-JUwGkE2NgTmBR4tfQ3L8NzWaHCx4lrEpquAxFQWQXPbiF6sJnKDG9OpdzdDMUUrbtJAJ9-qy7Ed-1w/s1600/BEAUTY+OF.JPG" imageanchor="1" style="background-color: transparent; clear: left; float: left; margin-bottom: 1em; margin-right: 1em; text-align: center;"><span style="color: #660000;"><img border="0" data-original-height="483" data-original-width="1488" height="64" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSsq7m5ZoMR7KpzBqO8rrocPKLWD0iKZ3SNmja1woEkHqZzpm4QMVFrZBs02lp-JUwGkE2NgTmBR4tfQ3L8NzWaHCx4lrEpquAxFQWQXPbiF6sJnKDG9OpdzdDMUUrbtJAJ9-qy7Ed-1w/s200/BEAUTY+OF.JPG" width="200" /></span></a><span style="font-family: "franklin gothic demi cond" , sans-serif; font-size: 10.0pt;"><span style="color: #660000;"><b>BEAUTY OF MATHEMATICS</b> Thibault Guichon ,Yann Pineill & Nicolas
Lefaucheux <o:p></o:p></span></span></div>
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<span style="font-family: "franklin gothic demi cond" , sans-serif; font-size: 10.0pt;"><span style="color: #660000;">Parachute TV 1:40 mins& <o:p></o:p></span></span></div>
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<span style="font-family: "arial" , sans-serif; font-size: 9.5pt;"><span style="color: #660000;">"Mathematics,
rightly viewed, possesses not only truth, but supreme beauty — a beauty cold
and austere, without the gorgeous trappings of painting or music."
—Bertrand Russell<o:p></o:p></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYcFA2xqlPuNci8xzbRLTx-gcH5VHEXhwhdmfnruGDdheOLUihjQcfjDD6rR_IMjBCQoueVbS9xYI9BZOoi2J1FnQa7DXZnfmgnl5wcF2yikeiqX38zkBiU5HWY7OIFKlfPlMlog_v7jQ/s1600/still1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span style="color: #660000;"><img border="0" data-original-height="576" data-original-width="720" height="160" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYcFA2xqlPuNci8xzbRLTx-gcH5VHEXhwhdmfnruGDdheOLUihjQcfjDD6rR_IMjBCQoueVbS9xYI9BZOoi2J1FnQa7DXZnfmgnl5wcF2yikeiqX38zkBiU5HWY7OIFKlfPlMlog_v7jQ/s200/still1.jpg" width="200" /></span></a></div>
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<b style="font-family: "Franklin Gothic Demi Cond", sans-serif; font-size: 10pt;"><span style="color: #660000;">THING THAT WASN’T POSSIBLE IS HAPPENING TODAY</span></b></div>
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<span style="color: #660000;"><span style="font-family: "franklin gothic demi cond" , sans-serif; font-size: 10pt;">Annabeata Baranska</span><span style="font-family: "franklin gothic demi cond" , sans-serif; font-size: 10pt;"> </span><span style="font-family: "franklin gothic demi cond" , sans-serif; font-size: 10pt;">2:24 min</span></span></div>
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<span style="font-family: "arial" , sans-serif; font-size: 9.5pt;"><span style="color: #660000;">The film is a critical commentary to 2007 parliamentary elections in Poland. The reality is presented as an overwhelming, embarrassing world which provokes uneasiness, the sense of absurdity, nonsense or even grotesque. At first, the main element of the film – a white and red candle – is burning with a strong and stable flame. However, once the political language (full of lies, aggression, mutual accusations and incomprehensible barking) appears, the flame becomes unstable and eventually fades away.</span></span></div>
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Pirondi 6.00mins<o:p></o:p></span></span></div>
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<span style="color: #660000;"><span style="font-family: "arial" , sans-serif; font-size: 9.5pt;">Primeiro de Novembro (1st of November), All
Saints’ Day 1755 was the date of the most deadliest earthquake in the world,
followed by a tsunami and a fire, completely destroyed Lisbon.Through a
cyclical story-telling, the mythological city of Ophiusa has reborn, where the
memories of the ancient earthquake and the omens of the future one are linked
through a stream of consciousness, past and future melt together in one
dimension: a timeless present.</span><span style="font-family: "arial" , sans-serif; font-size: 9.5pt;"><br />
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<span style="font-family: "franklin gothic demi cond" , sans-serif; font-size: 10pt;"><span style="color: #660000;"><b>EVERTHING TURNS </b> Aaron Zeghers 12.30 mins <o:p></o:p></span></span></div>
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<span style="font-family: "arial" , sans-serif; font-size: 9.5pt;"><span style="color: #660000;">A shorthand study of the mythology of numbers, from 1 to 12. Scientific
tradition is adopted then eschewed for rumours, legends and defunct theories
from across the ages. The camera pens a year-long almanac of space, movement
and the passing of time, recorded in-camera onto Super 8 using open exposure
photography, light painting, light table animation, paper animation, hand drawn
animation and more.<o:p></o:p></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7f_dStnFo3UdlFHiOrCR4BrIFKULh3A-U9Qc1KYmpiVTgt8RbY9RlGtXSdtfpYqjqxz8CYwzB39hYYAGEe21GD1nwrkcRLdE1DacUaBwRemGuHymhE2erATZtSeOQ_s__-EmohyquGY0/s1600/Double.jpg" imageanchor="1" style="background-color: transparent; clear: left; float: left; margin-bottom: 1em; margin-right: 1em; text-align: center;"><span style="color: #660000;"><img border="0" data-original-height="900" data-original-width="1600" height="112" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7f_dStnFo3UdlFHiOrCR4BrIFKULh3A-U9Qc1KYmpiVTgt8RbY9RlGtXSdtfpYqjqxz8CYwzB39hYYAGEe21GD1nwrkcRLdE1DacUaBwRemGuHymhE2erATZtSeOQ_s__-EmohyquGY0/s200/Double.jpg" width="200" /></span></a><span style="font-family: "franklin gothic demi cond" , sans-serif; font-size: 10.0pt;"><span style="color: #660000;"><b>BEDSIDE MANNER </b>Corinne Botz
18:03 mins<o:p></o:p></span></span></div>
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<span style="font-family: "arial" , sans-serif; font-size: 10pt;"><span style="color: #660000;">Bedside Manner focuses on real-life standardized
patient simulations to explore the performative aspect of doctor-patient
encounters and issues concerning empathy. Standardized patients (SPs) are
professional medical actors who are trained to present particular sets of
symptoms in order to help medical students improve their diagnostic skills and
bedside manner. Simulations delineate a space in which viewers and participants
are asked to suspend disbelief and rehearse for trauma. In addition to offering
viewers a rare glimpse into the practice of training doctors, the uncanny
medical simulations also reveal the tenuous boundary between the real and
artificial.<o:p></o:p></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggjgwW8lryrtRydkF6vgLHCJ-hK2NmX4MZOp11qHD7IH-8SiF3JjCVPM2CLzSiVWFRxWF8va-v9q5Ccpsiu6If_xo1jdKr8WvD6XMVXJPOLduEZFk-17xzFgeER1Mdnyrh2ce3K56iiP4/s1600/T%2526L.JPG" imageanchor="1" style="background-color: transparent; clear: left; float: left; margin-bottom: 1em; margin-right: 1em; text-align: center;"><span style="color: #660000;"><img border="0" data-original-height="595" data-original-width="1095" height="108" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggjgwW8lryrtRydkF6vgLHCJ-hK2NmX4MZOp11qHD7IH-8SiF3JjCVPM2CLzSiVWFRxWF8va-v9q5Ccpsiu6If_xo1jdKr8WvD6XMVXJPOLduEZFk-17xzFgeER1Mdnyrh2ce3K56iiP4/s200/T%2526L.JPG" width="200" /></span></a><span style="color: #660000;"><span style="font-family: "franklin gothic demi cond" , sans-serif; font-size: 10pt;"><b>BULLSHIT! </b>James Nee & Christian Britten 5:50 mins </span><span style="font-family: "arial" , sans-serif; font-size: 9.5pt;">Harry Frankfurt is an American
philosopher and author of the New York Times Best Seller "On
Bullshit". Although first conceived as an essay over 30 years ago, his
theory on bullshit is more relevant than ever before.BULLSHIT! aims to further
our understanding of what bullshit is, why there's so much of it, and how it
can be a greater enemy to the truth than lies.</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhi6PNMc9iA4S78BgTw6v6DkV6BczVB82eVad4NT-J1OWOKQl442X-n-nktyhbwTRRtl6dXxG-IApWEmHTBX4wtO0Qc-0HRMs1q7yFW0Yw2wyEm-OPWPvXHSXWgak7A0UKojmTVkuqqc0E/s1600/MUSTANG+JEANS+STILL+1_k.jpg" imageanchor="1" style="background-color: transparent; clear: left; float: left; margin-bottom: 1em; margin-right: 1em; text-align: center;"><span style="color: #660000;"><img border="0" data-original-height="900" data-original-width="1600" height="112" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhi6PNMc9iA4S78BgTw6v6DkV6BczVB82eVad4NT-J1OWOKQl442X-n-nktyhbwTRRtl6dXxG-IApWEmHTBX4wtO0Qc-0HRMs1q7yFW0Yw2wyEm-OPWPvXHSXWgak7A0UKojmTVkuqqc0E/s200/MUSTANG+JEANS+STILL+1_k.jpg" width="200" /></span></a><span style="font-family: "franklin gothic demi cond" , sans-serif; font-size: 10pt;"><span style="color: #660000;"><b>MUSTANG JEANS </b> Marko Schiefelbein 7:13
mins<o:p></o:p></span></span></div>
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<span style="font-family: "franklin gothic demi cond" , sans-serif; font-size: 10pt;"><span style="color: #660000;">UK PREMIERE<o:p></o:p></span></span></div>
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<span style="color: #660000;"><span style="font-family: "arial" , sans-serif; font-size: 9.5pt;">A women is sitting in front of a camera telling
a story about an experience she had. Even though she is able to describe the
happenings quite detailed, the story also seems to be unlikely and implausible.
It turns out not to be hers rather then a story from a MUSTANG JEANS commercial
which she is retelling from the perspective of the main character. The work
MUSTANG JEANS draws an abstract image of a human that has internalized the
images and stories of the world of advertising.</span><span style="font-family: "franklin gothic demi cond" , sans-serif; font-size: 10pt;"><o:p></o:p></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzhOqSh8s7mlBVT6VoIp9Lla-3grqc7fi4jYVH0v_cj5G6HDmZWUiS-wzuFol-km2KjbB8bbxiDrFCibpxkq7bWRvmmDBXjId61sj5OS4eX_NERYxeW_LnuESuN2gskA3pTgZcVL-GqnA/s1600/THE+SUN+2.JPG" imageanchor="1" style="background-color: transparent; clear: left; float: left; margin-bottom: 1em; margin-right: 1em; text-align: center;"><span style="color: #660000;"><img border="0" data-original-height="542" data-original-width="967" height="111" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzhOqSh8s7mlBVT6VoIp9Lla-3grqc7fi4jYVH0v_cj5G6HDmZWUiS-wzuFol-km2KjbB8bbxiDrFCibpxkq7bWRvmmDBXjId61sj5OS4eX_NERYxeW_LnuESuN2gskA3pTgZcVL-GqnA/s200/THE+SUN+2.JPG" width="200" /></span></a><span style="font-family: "franklin gothic demi cond" , sans-serif; font-size: 10.0pt;"><span style="color: #660000;"><b>NEWS FROM THE SUN </b> Brendan & Jeremy Smythe 3:00 mins<o:p></o:p></span></span></div>
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<span style="font-family: "arial" , sans-serif; font-size: 9.5pt; letter-spacing: 0.1pt;"><span style="color: #660000;">An apocalyptic narrative
unfolds through the words of "The Sun," a British tabloid created by
media mogul Rupert Murdoch. 4000 single frames were exposed, unedited, and
accompanied with the pulsing rhythms of the sun collected by NASA, resembling
the Buddhist "Om," the sound of our universe. The Smyth Brothers were
commissioned to make this film by Ben Russell for Moogfest 2016 in Durham, NC <o:p></o:p></span></span></div>
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Dwyer 29:00 mins<o:p></o:p></span></span></div>
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<span style="font-family: "franklin gothic demi cond" , sans-serif; font-size: 10pt;"><span style="color: #660000;">UK PREMIERE<o:p></o:p></span></span></div>
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<span style="color: #660000;"><span style="font-family: "arial" , sans-serif; font-size: 9.5pt;">As a quest to identify a man whose notebook we
discovered in a bus station leads us through a city, we move from
cemeteries to Cypress swamps. The man’s name is Ignatius and with the words of
this self-proclaimed outsider as our agent we too can approach subjects from
elsewhere. The film was shot in New Orleans and grew out of an exploration
into the relationship between John Kennedy Toole and the main <span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">character of his novel, A Confederacy of Dunces; a
work that only gained acclaim after the authors suicide.</span></span><span style="font-family: "arial" , sans-serif; font-size: 9.5pt;"><o:p></o:p></span></span></div>
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<b><span style="font-size: 10.0pt;"><span style="color: #660000; font-family: Arial, Helvetica, sans-serif;">Programmed by Jayne Wilson<o:p></o:p></span></span></b></div>
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<span style="color: #660000;"><span style="font-size: 10.0pt;">Special thanks to All at Scalarama Brighton, Richard
Gravett for Short Circuit, </span><span style="font-size: 10pt;">Rob Cunningham & Rachel Hunter at Filmspot, Liam McKeown at Grand Central, & Film Hub SE for their support.</span><b style="font-size: 10pt;"> </b></span><br />
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<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-905009855684413230.post-62292792785748128492017-07-03T01:23:00.000-07:002017-07-03T01:23:00.886-07:00TRUTH & LIES: Call for Submissions<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi65jtRmecVCEJSTOoqLpIrFUWK5NdOHphLBP8eImbWihwFMXByd3uECK9n3aratKcf9U0owexEszkQlV7nxfdZFMyKrK3rejj2fTt2AKVDqjukw1rbXDJuiv5DSrcApNKAtgYAYrt-O84/s1600/TRUTH-banner.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="349" data-original-width="1000" height="222" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi65jtRmecVCEJSTOoqLpIrFUWK5NdOHphLBP8eImbWihwFMXByd3uECK9n3aratKcf9U0owexEszkQlV7nxfdZFMyKrK3rejj2fTt2AKVDqjukw1rbXDJuiv5DSrcApNKAtgYAYrt-O84/s640/TRUTH-banner.jpg" width="640" /></a></div>
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<span lang="EN" style="mso-ansi-language: EN;"><span style="font-family: Calibri;"><span style="color: #444444;"><span style="font-size: large;">What is a proper
basis for deciding whether words, ideas, stories beliefs can be considered true? How
do we respond to truths and lies- which can, in equal measure, motivate and
protect. <o:p></o:p></span></span></span></span><br />
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<strong><span lang="EN" style="color: #666666; font-family: "Calibri","sans-serif"; font-weight: normal; mso-ansi-language: EN; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: minor-latin;">Short Circuit is looking for
an eclectic mix of experimental short docs that take these themes for its next
screening in September.<o:p></o:p></span></strong></span></span><br />
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<strong><span lang="EN" style="color: #666666; font-family: "Calibri","sans-serif"; font-weight: normal; mso-ansi-language: EN; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: minor-latin;"><span style="color: #444444; font-size: large;">If you have work that fits
the theme, send a link to us (with password if required) for consideration at <u><a href="mailto:shortcircuitopencall@gmail.com">shortcircuitopencall@gmail.com</a></u>
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<strong><span lang="EN" style="color: #666666; font-family: "Calibri","sans-serif"; mso-ansi-language: EN; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: minor-latin;">Deadline 4<sup>th</sup> August</span></strong><strong><span lang="EN" style="color: #666666; font-family: "Calibri","sans-serif"; font-weight: normal; mso-ansi-language: EN; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: minor-latin;"> </span></strong><strong><span lang="EN" style="color: #666666; font-family: "Calibri","sans-serif"; mso-ansi-language: EN; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: minor-latin;">2017</span></strong><strong><span lang="EN" style="color: #666666; font-family: "Calibri","sans-serif"; font-weight: normal; mso-ansi-language: EN; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: minor-latin;">. We will contact you if your film is
selected. <o:p></o:p></span></strong></span></span><br />
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-905009855684413230.post-35180929601600961222017-06-06T07:49:00.000-07:002017-06-06T07:49:29.524-07:00RETRO Films<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Arial, Helvetica, sans-serif;"><strong>THANK YOU TO ALL THE FILMMAKERS ........</strong></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijNlIW4FzPeKhpzCQ8Fg8432iC9TSD-Z3DhwMKSR1CF9TP7XiZF_-vbSrdoyeQ3MazWaVcULx9eQFTrzpar1-QmbPG0HtFGfdys4adCSIlKIj5VRgzrjU0OSZWIzDG-OzMooNegSZ9SGE/s1600/flowers.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1597" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijNlIW4FzPeKhpzCQ8Fg8432iC9TSD-Z3DhwMKSR1CF9TP7XiZF_-vbSrdoyeQ3MazWaVcULx9eQFTrzpar1-QmbPG0HtFGfdys4adCSIlKIj5VRgzrjU0OSZWIzDG-OzMooNegSZ9SGE/s320/flowers.JPG" width="320" /></a><span style="color: #595959; font-family: "arial" , "sans-serif"; font-size: 10pt;"></span></div>
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<span style="font-family: "franklin gothic demi cond" , "sans-serif"; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;"><span style="color: #444444;"><span style="font-size: small;"><span style="mso-spacerun: yes;">THOMAS BLANCHARD (France), Flowers </span> 2:23 min</span></span></span></div>
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</span><span style="color: #595959; font-family: "arial" , "sans-serif"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB; mso-themecolor: text1; mso-themetint: 166;">Time lapse flowers with a retro
touch</span><span style="font-family: "franklin gothic demi cond" , "sans-serif"; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;"> <o:p></o:p></span></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhp7nbCrtRzfYQC7Xcb0FRsfyqYUSKZfpHNeFH7iXrI0h725eU0I5znIc-1mDmAnt0G5k_YExnRuW66_K3o_6yVxAUxWJfirLNzfaW5-XZQ8zHtGezAsc2O5bZywjJGZRXnEbg3Hj18GlA/s1600/Double+Bill+1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span style="color: #444444;"><img border="0" data-original-height="900" data-original-width="1600" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhp7nbCrtRzfYQC7Xcb0FRsfyqYUSKZfpHNeFH7iXrI0h725eU0I5znIc-1mDmAnt0G5k_YExnRuW66_K3o_6yVxAUxWJfirLNzfaW5-XZQ8zHtGezAsc2O5bZywjJGZRXnEbg3Hj18GlA/s320/Double+Bill+1.jpg" width="320" /></span></a><span style="background: white; font-family: "franklin gothic demi cond" , "sans-serif";"><span style="color: #444444;">TESSA GARLAND (UK)<span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>Double Bill<span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>3:10 min</span></span></div>
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<span style="background: white; color: #444444; font-family: "arial" , "sans-serif";">Double Bill is a playful work that focusses on a remote area of the Mojave Desert, California, where age old objects and pieces of art can be found side by side.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5_3EPpqssobD1t1gwj6n9i53JKBfjNHN_zo-byjFjosV8in__cOYolQAbPSe7LVCzVXCHBjjzFbyEMgLSAP6subYhOEjfhHLtS1yccloaa1RZTx2kfJnBC_Z_DKuzODhXCCKxq70aq6s/s1600/548116466_1280.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span style="color: #444444;"><img border="0" data-original-height="720" data-original-width="1280" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5_3EPpqssobD1t1gwj6n9i53JKBfjNHN_zo-byjFjosV8in__cOYolQAbPSe7LVCzVXCHBjjzFbyEMgLSAP6subYhOEjfhHLtS1yccloaa1RZTx2kfJnBC_Z_DKuzODhXCCKxq70aq6s/s320/548116466_1280.jpg" width="320" /> </span></a><span style="background: white; font-family: "franklin gothic demi cond" , "sans-serif";"><span style="color: #444444;">LEANDRO SANTINI & MATTR MEDIA(UK) Star Wars Changed My Life<span style="mso-spacerun: yes;"> </span><o:p></o:p></span></span></div>
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<span style="color: #444444; font-family: "arial" , "helvetica" , sans-serif;">A film series made by Star Wars fans about Star Wars fans for Star Wars fans.</span></div>
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<span style="color: #444444; font-family: "arial";">The Tattooist (2:50 mins)</span></div>
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<span style="color: #444444; font-family: "arial";">The Droid maker (2:50 mins)</span></div>
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<span style="color: #444444; font-family: "arial";">The Light Saber master (2:50 mins)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXUoogSnm6KJBG-yZuocD2hWrbgzJep0UB-J7t28HVtJU_BaicVl2ClKaYm3eFLGS5wY5CcoPyE1sFgUzNZoOJKpq4-2mB0bV71L_CgtmjqmK0BTATEWDRzglw_RY3YuUfhbmnaq_8d30/s1600/mutha2.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span style="color: #444444;"><img border="0" data-original-height="486" data-original-width="802" height="193" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXUoogSnm6KJBG-yZuocD2hWrbgzJep0UB-J7t28HVtJU_BaicVl2ClKaYm3eFLGS5wY5CcoPyE1sFgUzNZoOJKpq4-2mB0bV71L_CgtmjqmK0BTATEWDRzglw_RY3YuUfhbmnaq_8d30/s320/mutha2.JPG" width="320" /></span></a><span style="font-family: "franklin gothic demi cond" , "sans-serif"; line-height: 115%;"><span style="color: #444444;">BILLY DOSANJH<span style="mso-spacerun: yes;"> </span>(UK) Mutha Tung 10:14 mins<o:p></o:p></span></span></div>
<span style="color: #555555; font-family: "arial" , "sans-serif"; font-size: 9.5pt;"><span style="color: #555555; font-family: "arial" , "sans-serif"; mso-bidi-font-weight: bold;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="color: #444444;">Mutha Tung (local Chaucerian dialect
for ‘Mother Tongue’ takes as stimuli a dozen letters written in the 1960’s by
South Asian women in Dosanjh’s hometown of Smethwick to their families in India
and Pakistan.<o:p></o:p></span></span></span></span><br />
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<span style="color: #444444;"><span style="background: white; font-family: "franklin gothic demi cond" , "sans-serif";">SCOTT WILLIS (</span><span style="background: white; font-family: "franklin gothic demi cond" , "sans-serif";">UK)<span style="mso-spacerun: yes;"> D</span>ear Peter<span style="mso-spacerun: yes;"> </span>25 mins<o:p></o:p></span></span></div>
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<span style="background: white; color: #444444; font-family: "arial" , "sans-serif";">After discovering a large collection of handwritten postcards filmmaker Scott Willis begins a journey to track down their owner. The messages on the postcards create a picture of unknown man called Peter. But, with the collection spanning over seventy years, a reunion seems unlikely. Who was Peter? How did his life end?</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh899DLZuPES4Q0pY1hFUcyOGbx0l3pFvYHG1okN2frOLX5QcrGs2FLBQb7uYK05pEeMWsncosVVbNFfemD7GKe-l_VcNChVcDzNxOz4Ppblu5BAM5UuYmgiXS8wNM_Vm4y22fs6ZUh1b0/s1600/disk.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span style="color: #444444;"><img border="0" data-original-height="283" data-original-width="594" height="152" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh899DLZuPES4Q0pY1hFUcyOGbx0l3pFvYHG1okN2frOLX5QcrGs2FLBQb7uYK05pEeMWsncosVVbNFfemD7GKe-l_VcNChVcDzNxOz4Ppblu5BAM5UuYmgiXS8wNM_Vm4y22fs6ZUh1b0/s320/disk.JPG" width="320" /></span></a></div>
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<span style="color: #444444; font-family: "franklin gothic demi cond" , "sans-serif"; font-size: 10pt;">STUART POUND(UK)<span style="mso-spacerun: yes;"> </span>Retro Disk Chunter <span style="mso-spacerun: yes;"> 1</span>:00 min</span></div>
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<span style="color: #444444; font-family: "arial" , "sans-serif"; line-height: 115%;">Files are copied then deleted from one of the 3.5" floppy discs that have almost disappeared into our past. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWfOELhcnX3dZFQkQIIkrd9rP44zvYOAJEepHxzgMiDEdYzhU1sTM252j3fpXxnEiEgDu-ZvYz-zZiURspid_q9mtWGZKA9iFfilmFyfnP5Fq1eC1o87wKMhTU7H4qit21cc1AKWQdRuI/s1600/The+Night+Clerk+1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span style="color: #444444;"><img border="0" data-original-height="900" data-original-width="1600" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWfOELhcnX3dZFQkQIIkrd9rP44zvYOAJEepHxzgMiDEdYzhU1sTM252j3fpXxnEiEgDu-ZvYz-zZiURspid_q9mtWGZKA9iFfilmFyfnP5Fq1eC1o87wKMhTU7H4qit21cc1AKWQdRuI/s320/The+Night+Clerk+1.jpg" width="320" /></span></a><span style="font-family: "franklin gothic demi cond" , "sans-serif"; font-size: 10pt;"><span style="color: #444444;">DAMON MOHL (Germany) <span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>Nightclerk<span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> 1</span>:35 mins<o:p></o:p></span></span></div>
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<span style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 10pt;">A song for a Night clerk with retro office equipment from a hellish job.</span></div>
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<span style="color: #444444;"><span style="background: white; font-family: "franklin gothic demi cond" , "sans-serif";">KATIE GOODWIN (</span><span style="background: white; font-family: "franklin gothic demi cond" , "sans-serif";">UK)<span style="mso-spacerun: yes;"> Dawn of The Rainbow </span><span style="mso-spacerun: yes;"> </span>3:00 min</span></span></div>
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<span style="background: white; color: #444444; font-family: "arial" , "sans-serif";">Dawn of the Rainbow is made from the film leader from the 1939 film "The Wizard of Oz". The film starts with the drab real world in black and white and converts to colour. This film is an attempt to celebrate and look back at that moment in cinematic history.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisPrOua36ZqfSsoEbanf0HFYG4HYqjzM3w8vNJLFPvouWZn_mKZOgwUR3YmZi4f7V7rVkgWg1WtPoLPztsIleLa5YH6Y7tIiK7givmJJ9mBYgeA7p0UvQmo8s39iNDd8W-eEx7W2AYhZs/s1600/facsilmil.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span style="color: #444444;"><img border="0" data-original-height="631" data-original-width="1272" height="158" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisPrOua36ZqfSsoEbanf0HFYG4HYqjzM3w8vNJLFPvouWZn_mKZOgwUR3YmZi4f7V7rVkgWg1WtPoLPztsIleLa5YH6Y7tIiK7givmJJ9mBYgeA7p0UvQmo8s39iNDd8W-eEx7W2AYhZs/s320/facsilmil.JPG" width="320" /></span></a></div>
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<span style="color: #444444; font-family: "franklin gothic demi cond" , "sans-serif"; font-size: 10pt;">MARC MARTI (Spain)<span style="mso-spacerun: yes;"> Facsimil</span> <span style="mso-spacerun: yes;"> 8</span>:00 min</span></div>
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<span style="color: #444444; font-family: "arial" , "sans-serif"; line-height: 115%;">An experimental mix of documentary and fiction about the 'unique work' in cinema. The film has been made with the exact same techniques that you see on screen.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3xn5Buh_Wq8nUkE95FqsKYp1FrEgfXqqp-vWKw7unNsgtXDHtOZ3yAaisMXdPoqoXjmd7g5fYgZeEVjoXYP9fIKKS4aSWfGLPPqj-CJseWOssLZpEWFA_XJOAn2Tx5dcMW09DmuzxkX4/s1600/data_still.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span style="color: #444444;"><img border="0" data-original-height="612" data-original-width="915" height="214" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3xn5Buh_Wq8nUkE95FqsKYp1FrEgfXqqp-vWKw7unNsgtXDHtOZ3yAaisMXdPoqoXjmd7g5fYgZeEVjoXYP9fIKKS4aSWfGLPPqj-CJseWOssLZpEWFA_XJOAn2Tx5dcMW09DmuzxkX4/s320/data_still.JPG" width="320" /></span></a></div>
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<span style="color: #444444; font-family: "franklin gothic demi cond" , "sans-serif"; font-size: 10pt;">ANDRE PARDO (Spain)<span style="mso-spacerun: yes;"> Data</span> <span style="mso-spacerun: yes;"> 7</span>:48 min</span></div>
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<span style="color: #444444; font-family: "arial" , "sans-serif"; line-height: 115%;">By combining archive, animation and philosophical and scientific essay DATA explores the spaces of collective nostalgia, trying to outline the methods of human memory. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOvcxk8EUEt-dtDUVzBOKZtExW7sQNvAz9_rtV6TXeAL8NUUzo8yqKm6paGQgWn1BowO0HTYqqZsHa127BbTSrhqQVRoAJuLRvkS3EJJpO0wuDdHMCSNtJ3EIB1yxSRKk99Y0TwoVYe8E/s1600/analogue_k.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span style="color: #444444;"><img border="0" data-original-height="400" data-original-width="561" height="228" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOvcxk8EUEt-dtDUVzBOKZtExW7sQNvAz9_rtV6TXeAL8NUUzo8yqKm6paGQgWn1BowO0HTYqqZsHa127BbTSrhqQVRoAJuLRvkS3EJJpO0wuDdHMCSNtJ3EIB1yxSRKk99Y0TwoVYe8E/s320/analogue_k.JPG" width="320" /></span></a></div>
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<span style="color: #444444; font-family: "franklin gothic demi cond" , "sans-serif"; font-size: 10pt;">ESTHER JOHNSON (UK)<span style="mso-spacerun: yes;"> Analogue Kingdom</span> <span style="mso-spacerun: yes;"> 24</span>:00 min</span></div>
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<span style="color: #444444; font-family: "arial" , "sans-serif"; line-height: 115%;">A poetic portrait of Gerald wells, founder and Curator of the British Wireless and Television museum. As the digital switchover approaches Wells analogue collection is a reminder of the magic that may soon be lost </span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-905009855684413230.post-83196778105091779262017-05-04T09:42:00.000-07:002017-06-07T04:26:13.519-07:00RETRO Monday 5th June <span lang="EN-US" style="font-family: "times new roman" , "serif"; mso-ansi-language: EN-US;"><span style="color: black; font-family: "arial" , "helvetica" , sans-serif; font-size: large;">RETRO is an evening of eclectic
experimental shorts that reflect our interpretations of ‘the dated’ whether
music or machines, paper or pixel, crass or cool. </span></span><br />
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<span lang="EN-US" style="font-family: "times new roman" , "serif"; mso-ansi-language: EN-US;"></span><span lang="EN-US" style="font-family: "times new roman" , "serif"; mso-ansi-language: EN-US;"><span style="color: black; font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Join us for an evening with
retro themed short films and modern beers:</span></span></div>
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<span lang="EN-US" style="font-family: "times new roman" , "serif"; mso-ansi-language: EN-US;"><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;"><span style="color: black;">The Nightingale Room, 29-30 Surrey Street, Brighton </span></span></span></div>
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<span lang="EN-US" style="font-family: "times new roman" , "serif"; mso-ansi-language: EN-US;"><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;"><span style="color: black;">BN1 3PA</span> </span></span></div>
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<span style="color: black; font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Doors open 7pm Screening at 7.30pm</span><br />
<span style="color: black; font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Tickets £4 in advance </span></span><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;"><a data-saferedirecturl="https://www.google.com/url?hl=en&q=https://www.eventbrite.com/e/retro-tickets-34324377136?aff%3Dutm_source%253Deb_email%2526utm_medium%253Demail%2526utm_campaign%253Dnew_event_email%26utm_term%3Deventurl_text&source=gmail&ust=1493999707123000&usg=AFQjCNFiJBo5GjmVTzhSBGtpRnHJ-hu5lg" href="https://www.eventbrite.com/e/retro-tickets-34324377136?aff=utm_source%3Deb_email%26utm_medium%3Demail%26utm_campaign%3Dnew_event_email&utm_term=eventurl_text" style="color: #0f90ba; font-family: "Benton Sans",-apple-system,BlinkMacSystemFont,Roboto,"Helvetica neue",Helvetica,Tahoma,Arial,sans-serif; text-decoration: none;" target="_blank">https://www.eventbrite.com/e/<wbr></wbr>retro-tickets-34324377136</a><span style="color: #666666;"> </span></span><br />
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<span style="color: black; font-family: "arial" , "helvetica" , sans-serif;">The Nightingale Room is above Grand Central, just across the road from Brighton train station The entrance can be found at the back of the pub.</span> <br />
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<span style="color: black; font-family: "arial" , "helvetica" , sans-serif;">Follow us on Twitter for updates and filmmakers @1shortcircuit</span>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-905009855684413230.post-57060880748815814262016-11-20T07:13:00.000-08:002016-11-22T07:07:14.591-08:00THE EXTENDED MIX. Three Screenings to Celebrate<div class="separator" style="clear: both; text-align: center;">
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<span style="color: #444444; font-family: "arial" , "helvetica" , sans-serif; font-size: large;">November brings you an extended mix of films selected from our favourite from Short Circuit.</span><br />
<span style="color: #444444; font-family: "arial" , "helvetica" , sans-serif; font-size: large;"></span><br />
<span style="color: #444444; font-family: "arial" , "helvetica" , sans-serif; font-size: large;">In three parts, #ONE at 7pm, #TWO at 8pm and #THREE at 9pm, we are showing our best and favourite shorts to celebrate the end of a year of Short Circuit.</span><br />
<span style="color: #444444; font-family: "arial" , "helvetica" , sans-serif; font-size: large;"></span><br />
<span class="event-description__description" data-reactid=".xs2guy2lea.2.0.0.0.2.1.0.2" style="color: #444444; font-family: "arial" , "helvetica" , sans-serif; font-size: large;">This is a great opportunity to check out films you missed, films you want to see again and enjoy a quality night out. </span><br />
<span class="event-description__description" data-reactid=".xs2guy2lea.2.0.0.0.2.1.0.2" style="color: #444444; font-family: "arial" , "helvetica" , sans-serif; font-size: large;"></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: large;"><span class="event-description__description" data-reactid=".xs2guy2lea.2.0.0.0.2.1.0.2" style="color: #444444;">There will be an opportunity to discuss the films and comment on experimental documentaries and enjoy a long overdue beer at Ed's new bar.</span></span></span><br />
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<span style="color: #444444;"><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Join us at </span><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Presuming Ed's on Wednesday 30th November</span></span><br />
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<span style="color: black; font-family: "arial" , "helvetica" , sans-serif;"></span><br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-905009855684413230.post-73391056426559895102016-10-14T02:15:00.002-07:002016-11-02T08:26:07.375-07:00OCTOBER SCREENING<div class="separator" style="clear: both; text-align: left;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhK3fNOkmpbxpdzswVxQBG8F0kmKOZLqI26IhEmPLMpBc32ridAaXD63p_BkRrPAxffA_if2Hao2KWJ5YRqW_q5pNuXp8SEfrUq8nNhIhf6MuYkSXA8IH7BD_c_MmbrENlUgY3YaTBGys/s1600/Episode+4+Because+the+Outside+World+Has+Changed.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="264" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhK3fNOkmpbxpdzswVxQBG8F0kmKOZLqI26IhEmPLMpBc32ridAaXD63p_BkRrPAxffA_if2Hao2KWJ5YRqW_q5pNuXp8SEfrUq8nNhIhf6MuYkSXA8IH7BD_c_MmbrENlUgY3YaTBGys/s320/Episode+4+Because+the+Outside+World+Has+Changed.jpg" width="320" /></a></div>
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<span style="font-family: "franklin gothic demi cond" , "sans-serif"; font-size: 10pt;">GO EUN IM (SOUTH KOREA)<span style="mso-spacerun: yes;">
</span>Episode 4- because the outside world has changed...<span style="mso-spacerun: yes;"> </span>8:20 mins<o:p></o:p></span></div>
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<span style="color: #595959; font-family: "arial" , "sans-serif"; font-size: 10pt;">‘Because the outside world has
changed…’ is a project that tests and tastes the solidarity between a variety
of old and new technologies influencing our ways of relating with the world’.
The film observes and documents the significance of the architectural, technological
and institutional transitions surrounding the former 'Filmmuseum' in Amsterdam.
In the course of four episodes, our considerations and shared materials were
developed, each time being updated, retold and re-edited in trans-medial and
dialogic way.<o:p></o:p></span></div>
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<span style="color: #595959; font-family: "arial" , "sans-serif"; font-size: 10pt;"><o:p> </o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIeFysSInTDHGezXmIwlkBQ3UGlTAdFhdIYnlvvRAvE2sdIxQtfR7yTub8-eYvmkIKYMkMk9rrk8y3Nt9p-dldyg93Odh4NaS-cKEgvTOdDQh9bfsVtXguKsH-zVc6yPVFzAf0ouiMWGU/s1600/Duncan+Poulton+-+Tunnel+%25282016%2529+video+still.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIeFysSInTDHGezXmIwlkBQ3UGlTAdFhdIYnlvvRAvE2sdIxQtfR7yTub8-eYvmkIKYMkMk9rrk8y3Nt9p-dldyg93Odh4NaS-cKEgvTOdDQh9bfsVtXguKsH-zVc6yPVFzAf0ouiMWGU/s320/Duncan+Poulton+-+Tunnel+%25282016%2529+video+still.jpg" width="320" /></a></div>
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<span style="background: white; font-family: "franklin gothic demi cond" , "sans-serif"; font-size: 10pt;">DUNCAN POULTON (UK)<span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>Tunnel<span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>2:40
mins<o:p></o:p></span></div>
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<span style="background: white; color: #595959; font-family: "arial" , "sans-serif"; font-size: 10pt;">Tunnel is a
video composed from found footage gathered from all over the internet. The work
is an attempt to reorganise elements of visual data, visualising the process of
journeying across the internet using footage gathered through that very
process. <o:p></o:p></span></div>
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<span style="background: white; color: #595959; font-family: "arial" , "sans-serif"; font-size: 10pt;"><o:p> </o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZLpbp2v5bo4ZvzW-bCd4zclFu9ZP1vv7G8a5O8CINQSM2S34O_nHWY_3pJ-F2MGa45gpwT_epCHeJFpnxBjo5G5piYm4GETTgQXIYZid8hPjRLPe5v-v6rBPGP_DOrtILC3nbWfn_GDw/s1600/Alphonso4Portobello-05.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZLpbp2v5bo4ZvzW-bCd4zclFu9ZP1vv7G8a5O8CINQSM2S34O_nHWY_3pJ-F2MGa45gpwT_epCHeJFpnxBjo5G5piYm4GETTgQXIYZid8hPjRLPe5v-v6rBPGP_DOrtILC3nbWfn_GDw/s320/Alphonso4Portobello-05.jpg" width="320" /></a></div>
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<span style="background: white; font-family: "franklin gothic demi cond" , "sans-serif"; font-size: 10pt;">SARAHJANE SWAN & ROGER SIMIAN<span style="mso-spacerun: yes;"> </span>(UK) Alphonso’s Jaw<span style="mso-spacerun: yes;"> </span><o:p></o:p></span></div>
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<span style="color: #555555; font-family: "arial" , "sans-serif"; font-size: 10pt;">Having suffered horrific facial
injuries, losing his lower jaw, Alphonse's quality of life was improved by the
construction of a silver prosthetic jaw painted in flesh tones and adorned with
whiskers. In this exploration of identity, disfigurement and reconstruction,
Alphonse exists outside of any specific time or place - trapped in eternal
convalescence, soothed by the dreams of his Battlefield Muse.<o:p></o:p></span></div>
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<span style="color: #555555; font-family: "arial" , "sans-serif"; font-size: 10pt;">Inspired by the story of Alphonse
Luis, a French gunner at the Siege of Antwerp (1832)<o:p></o:p></span></div>
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<span style="font-family: "franklin gothic demi cond" , "sans-serif"; font-size: 10pt; line-height: 115%;"><o:p> </o:p></span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5CMQHG3QQi0h1XmIBCEtKhCWRyLq-Un6Ukz4wh5rv-dsCyHf9nIJ2LYP2YuPsdv4yUzLByrsq_XT6_TK1yEuQZEPj_62sOuymd4KaIOooucIwgzWnzksUvwVC1gVQYwjdyWY3ziwVV2Q/s1600/piotr.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="179" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5CMQHG3QQi0h1XmIBCEtKhCWRyLq-Un6Ukz4wh5rv-dsCyHf9nIJ2LYP2YuPsdv4yUzLByrsq_XT6_TK1yEuQZEPj_62sOuymd4KaIOooucIwgzWnzksUvwVC1gVQYwjdyWY3ziwVV2Q/s320/piotr.JPG" width="320" /></a></div>
<span style="font-family: "franklin gothic demi cond" , "sans-serif"; font-size: 10pt; line-height: 115%;">PIOTR PIASTA<span style="mso-spacerun: yes;">
</span>(POLAND/ LONDON) Thelma 3:57 mins<o:p></o:p></span><br />
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<span style="color: #555555; font-family: "arial" , "sans-serif"; font-size: 9.5pt;">Thelma comes from the series The Realm
of Forgotten Existence that portrays elderly people who live in a rural area on
the Scottish – English border, Berwick-upon-Tweed. <br />
While the images in the film reveal a landscape that often seems unchanged, the
narrative reveals fragments of forgotten stories and traditions, skills and
working lives no longer of value in today’s society. <o:p></o:p></span></div>
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<span style="color: #595959; font-family: "arial" , "sans-serif"; font-size: 10pt;"><o:p> </o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7Zu7gOp-r84WiakkveFh72id7HHsRSSiRWOZDj4Uv43-Fm3dM_A_tMuBkRj4GetKaC4j4q-AoEZTX8ff2yA4CJ32zfark6j0FmNUiFbf6AWRW-zW7uctXcUAleSS1ciGJKV6BiHwIqK4/s1600/methane.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="166" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7Zu7gOp-r84WiakkveFh72id7HHsRSSiRWOZDj4Uv43-Fm3dM_A_tMuBkRj4GetKaC4j4q-AoEZTX8ff2yA4CJ32zfark6j0FmNUiFbf6AWRW-zW7uctXcUAleSS1ciGJKV6BiHwIqK4/s320/methane.JPG" width="320" /></a></div>
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<span style="background: white; font-family: "franklin gothic demi cond" , "sans-serif"; font-size: 10pt;">WILLIAM RANDALL (USA)<span style="mso-spacerun: yes;"> </span>Methane Ghosts<span style="mso-spacerun: yes;"> </span>9.20 mins<o:p></o:p></span></div>
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<span style="background: white; color: #595959; font-family: "arial" , "sans-serif"; font-size: 10pt;">This
experimental documentary for the Anthropocene digs through the layers of an
anonymous urban landfill. Drawing on both sensory ethnography and the landscape
film, it finds jets of flame in a bucolic natural scene. Its penultimate images
of mechanical labour dissolve in an ecological fever dream, with evidence of
the human hand in both the constructed ground and the ambivalent future. <o:p></o:p></span></div>
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<span style="color: #595959; font-family: "arial" , "sans-serif"; font-size: 10pt;"><o:p> </o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4XebNhoSJme4OuWu1uWyt7bGeInqSPHZ0K8I0ZjirQtrQ0ObeomRr_OSZuHmwvg64_XrAq83TTdkOyYuGtrbMq_2YgoFMP7dt8sF1cIChz6990KYOvKjStDQOE3RKSxw4qh7lVYMWANo/s1600/jo.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="178" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4XebNhoSJme4OuWu1uWyt7bGeInqSPHZ0K8I0ZjirQtrQ0ObeomRr_OSZuHmwvg64_XrAq83TTdkOyYuGtrbMq_2YgoFMP7dt8sF1cIChz6990KYOvKjStDQOE3RKSxw4qh7lVYMWANo/s320/jo.JPG" width="320" /></a></div>
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<span style="font-family: "franklin gothic demi cond" , "sans-serif"; font-size: 10pt;">JO PEEL (UK)<span style="mso-spacerun: yes;">
</span>Things Change <span style="mso-spacerun: yes;"> </span>3:06 mins<o:p></o:p></span></div>
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<span style="color: #555555; font-family: "arial" , "sans-serif"; font-size: 9.5pt; line-height: 115%;">Things Change is an optimistic look at
the idea of human impermanence. The buildings and debris created by the human
exploitation of our natural environment decay and give way to the force of
nature once again.<o:p></o:p></span></div>
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<span style="color: #555555; font-family: "arial" , "sans-serif"; font-size: 9.5pt;">A 3 week painting condensed into a 3
minute animation. This is a short story told on a big wall at Village Underground
in Shoreditch, London<o:p></o:p></span></div>
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<span style="color: #555555; font-family: "arial" , "sans-serif"; font-size: 9.5pt;"><o:p> </o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzfK7IRfNojuugJwSMHnDRhc1YNzD-ZFJHeyIwE0c3DNip60TH_q3xBRZyMUQla4W8PDG_shZ8Nokf-xAri5hrHfM5sfctbkSjdNrd5DPgjlH6TsHzwBRX2XW2ieCmHFq7X85iTw_KD-k/s1600/mighty_heart_1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzfK7IRfNojuugJwSMHnDRhc1YNzD-ZFJHeyIwE0c3DNip60TH_q3xBRZyMUQla4W8PDG_shZ8Nokf-xAri5hrHfM5sfctbkSjdNrd5DPgjlH6TsHzwBRX2XW2ieCmHFq7X85iTw_KD-k/s320/mighty_heart_1.jpg" width="320" /></a></div>
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<span style="font-family: "franklin gothic demi cond" , "sans-serif"; font-size: 10pt;">JAYNE WILSON (UK) <span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>All
That Mighty Heart<span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>9:50 mins<o:p></o:p></span></div>
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<span style="color: #595959; font-family: "arial" , "sans-serif"; font-size: 10pt;">The imagined Central Office for
Clocktime Expansion invite you to consider mechanical engineering as an
antidote to a fast moving life where time is a commodity. <o:p></o:p></span></div>
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<span style="color: #595959; font-family: "arial" , "sans-serif"; font-size: 10pt;"><o:p> </o:p></span></div>
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<span style="font-family: "franklin gothic demi cond" , "sans-serif"; font-size: 10pt;">SCOTT WILLIS (UK) <span style="mso-spacerun: yes;"> </span>Tapes from The Revolutionary 15:40 mins<o:p></o:p></span></div>
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<span style="color: #595959; font-family: "arial" , "sans-serif"; font-size: 10pt;">Scott Willis discovers
Andy, a self-proclaimed communist revolutionary that documents his life on a
Hi-8 camcorder. Aiming to understand the purpose behind the tapes Willis picks
up his camera, however Andy has his own agenda for the project. <i style="mso-bidi-font-style: normal;">Tapes from The Revolutionary</i> is a
humorous unconventional documentary that turns the lens on itself and examines
the filmmaking process.<o:p></o:p></span></div>
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<span style="font-size: 10pt;"><o:p><span style="font-family: "calibri";"> </span></o:p></span></div>
</div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-905009855684413230.post-59175058164796300482016-09-08T04:25:00.001-07:002016-09-08T04:25:06.480-07:00CALL FOR FILMS <span style="font-family: "univers"; mso-bidi-font-family: Arial;"><span style="color: black; font-family: "arial" , "helvetica" , sans-serif; font-size: large;">We are programming for forthcoming screenings</span></span><br />
<div style="line-height: 18pt;">
<span style="font-family: "univers"; mso-bidi-font-family: Arial;"><span style="color: black; font-family: "arial" , "helvetica" , sans-serif; font-size: large;"><span style="font-family: "univers"; mso-bidi-font-family: Arial;"><span style="color: black; font-family: "arial" , "helvetica" , sans-serif; font-size: large;">If you have a film that broadly fits within these themes(no longer than 10 minutes) send it to us for consideration at <b style="mso-bidi-font-weight: normal;"><span style="font-family: "arial" , "sans-serif";"><a href="mailto:shortcircuitopencall@gmail.com"><span style="color: windowtext; mso-bidi-font-weight: bold; text-decoration: none; text-underline: none;">shortcircuitopencall@gmail.com</span></a></span></b> with a link to the film(and password if required) Please include a short description and jpeg still. We will contact you if your film is selected.</span></span>
</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhU_dkoRqmcXQXlkceMXUXKcSLC9Ot3d4NeskN9E_F699wtnB-hNP7QXQD7ZybRRC86JqExiBFFi190tVTjXuTENuZ_Je1YeQFfLotgl_SGYWUnD2CeMJJuEqpQksjWAZBQg2JtWk9yzY4/s1600/Untitled-1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="135" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhU_dkoRqmcXQXlkceMXUXKcSLC9Ot3d4NeskN9E_F699wtnB-hNP7QXQD7ZybRRC86JqExiBFFi190tVTjXuTENuZ_Je1YeQFfLotgl_SGYWUnD2CeMJJuEqpQksjWAZBQg2JtWk9yzY4/s200/Untitled-1.jpg" width="200" /></a></div>
<span style="font-family: "univers"; mso-bidi-font-family: Arial;"><span style="color: black; font-family: "arial" , "helvetica" , sans-serif;"><span style="color: #e69138;"><strong>CHANGE </strong> </span> Looks at how we see change. Transforming the form, nature or the future course of something from what it already is.</span></span></div>
<span style="color: black;"><span style="font-family: "arial" , "helvetica" , sans-serif;">
</span><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "univers"; mso-bidi-font-family: Arial;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Deadline 30</span><span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><sup>th</sup> September</span> </span></b></span></span></span><br />
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<span style="font-family: "univers"; mso-bidi-font-family: Arial;"><span style="font-size: small;"><span style="color: black; font-family: "arial" , "helvetica" , sans-serif;"><span style="color: #e69138;"><strong>FLIGHT </strong> </span> Retreating or running away? The power of flying- or a high flyer?</span></span></span><br />
<span style="font-family: "univers"; mso-bidi-font-family: Arial;"><span style="color: black; font-family: "arial";"><strong>Deadline 28th October</strong></span></span><br />
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<span style="font-family: "univers"; mso-bidi-font-family: Arial;"><o:p><span style="font-family: "arial" , "helvetica" , sans-serif;"> </span></o:p></span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-905009855684413230.post-15617386179551929412016-09-07T03:30:00.000-07:002016-10-06T04:45:30.873-07:00SEPTEMBER SCREENING<span style="color: #e69138; font-family: "arial" , "helvetica" , sans-serif;"></span><br />
<span style="color: #444444;"><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">NEXT OF KIN </span><span lang="EN" style="mso-ansi-language: EN;"><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">will be showing some stunning, and at times painfully poignant, short
films exploring the affectionate, sometimes tense and always influential experience of 'family'. </span></span></span><br />
<span style="color: #444444; font-family: "arial" , "helvetica" , sans-serif; font-size: large;">
</span><span lang="EN" style="mso-ansi-language: EN;"><span style="color: #444444; font-family: "arial" , "helvetica" , sans-serif; font-size: large;">A great opportunity to
enjoy an evening checking out new and established filmmakers.</span></span><br />
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</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEBrNWyZwJEZUQjRQpVBt1Cd-q2JHfWThxF_TOM_ZJ0ukvJy7evoR5zbBfwkQ9vhwhyQdWsToVgMvg4YTsKO_mNDodoc7zRVhssRL8IeT8MV3qIJhOjsFvXtYVCgpCZTdJ4mpf1JVhv5I/s1600/el+portal+2.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="104" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEBrNWyZwJEZUQjRQpVBt1Cd-q2JHfWThxF_TOM_ZJ0ukvJy7evoR5zbBfwkQ9vhwhyQdWsToVgMvg4YTsKO_mNDodoc7zRVhssRL8IeT8MV3qIJhOjsFvXtYVCgpCZTdJ4mpf1JVhv5I/s200/el+portal+2.JPG" width="200" /></a></div>
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<span style="background: white; font-family: "Franklin Gothic Demi Cond","sans-serif"; font-size: 10pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;">JASON M ROBINSON<span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>El
Portal<span style="mso-spacerun: yes;"> </span>7:48 mins</span></div>
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<span style="background: white; font-family: "Franklin Gothic Demi Cond","sans-serif"; font-size: 10pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;"></span><span style="background: white; color: #595959; font-family: "Arial","sans-serif"; font-size: 10pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB; mso-themecolor: text1; mso-themetint: 166;"></span> </div>
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<span style="background: white; color: #595959; font-family: "Arial","sans-serif"; font-size: 10pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB; mso-themecolor: text1; mso-themetint: 166;">El Portal is
about the Cedar motor Lodge in El Portal, California(population 474) </span><span style="background: white; color: #595959; font-family: "Arial","sans-serif"; font-size: 10pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB; mso-themecolor: text1; mso-themetint: 166;">Combining
vintage home videos with footage shot last Summer, the film spans 25 years,
weaving together the complicated and tragic story of the lodge with the
family’s history<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2x2PS7HxIDEL81pwi7B1iFaNywXYAIkao1p9BqlNMZZ-xiLh-5kw4Y3OfE8h3XcZ9GuKds-AYNdG4RH0Co3CjPweNkHn5NaRT1gTL7bSpG-EFuP5sC3WSbrsgTGA8z1vE1oYTqNSlghc/s1600/Idyll6II.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="135" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2x2PS7HxIDEL81pwi7B1iFaNywXYAIkao1p9BqlNMZZ-xiLh-5kw4Y3OfE8h3XcZ9GuKds-AYNdG4RH0Co3CjPweNkHn5NaRT1gTL7bSpG-EFuP5sC3WSbrsgTGA8z1vE1oYTqNSlghc/s200/Idyll6II.jpg" width="200" /></a><span style="background: white; font-family: "Franklin Gothic Demi Cond","sans-serif"; font-size: 10pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;">MARY BILLYOU <span style="mso-spacerun: yes;"> </span>Idyll <span style="mso-spacerun: yes;">
</span>5:32 mins </span><span style="background: white; color: #595959; font-family: "Arial","sans-serif"; font-size: 10pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB; mso-themecolor: text1; mso-themetint: 166;">Fewer families
were born, lived, and died in the same place. People, especially young ones,
were ready for a new life, as far removed from the old one as possible. Living
space was much smaller and there were few, if any, servants. Many wives were
working outside the home and leisure was not to be spent doing housework, but
in being out of doors as much as possible. Emphasis was on informal living and
informal entertaining.<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1CjKwy1aUWkj9aUA2NCq73pWqEo2DWTsH4MUtZdvO4Uky6Omj8FISyI44g-2UcAXyLefAWJQWHBMUZMOOTUds6IbsvxpVY9SAyMFah8mQE5qZnp0NJi5igfB4Z6EY160yYLOBahsAn7w/s1600/Clip3.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="103" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1CjKwy1aUWkj9aUA2NCq73pWqEo2DWTsH4MUtZdvO4Uky6Omj8FISyI44g-2UcAXyLefAWJQWHBMUZMOOTUds6IbsvxpVY9SAyMFah8mQE5qZnp0NJi5igfB4Z6EY160yYLOBahsAn7w/s200/Clip3.JPG" width="200" /></a></div>
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<span style="background: white; font-family: "Franklin Gothic Demi Cond","sans-serif"; font-size: 10pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;">IAN NESBITT<span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>Don<span style="mso-spacerun: yes;"> </span>6:51 mins</span></div>
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<span style="background: white; font-family: "Franklin Gothic Demi Cond","sans-serif"; font-size: 10pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;"></span> </div>
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<span style="background: white; font-family: "Franklin Gothic Demi Cond","sans-serif"; font-size: 10pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;"></span><span lang="EN" style="color: #595959; font-family: "Arial","sans-serif"; font-size: 10pt; mso-ansi-language: EN; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB; mso-themecolor: text1; mso-themetint: 166;">Don is a 69 year old man
originally from Nottingham. Having travelled and lived all over the world
working as a banjo player and gardener for the last 30 years or so, he
eventually found his way home in late 2011. When I met him, he was sleeping
rough, didn't know how he'd got back to this country, had almost no short term
memory, and no-one would take responsibility for his care. </span><span lang="EN" style="color: #595959; font-family: "Arial","sans-serif"; font-size: 10pt; mso-ansi-language: EN; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB; mso-themecolor: text1; mso-themetint: 166;">The film is one in a series of
idiosyncratic portraits of people living on the peripheries of contemporary
consumer society.<o:p></o:p></span></div>
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<span lang="EN" style="background: white; color: #595959; font-family: "Franklin Gothic Demi Cond","sans-serif"; font-size: 10pt; mso-ansi-language: EN; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB; mso-themecolor: text1; mso-themetint: 166;"><o:p> </o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_Wpaz1xwOgHqNbVUP0LpSycEovhJp-CrsxWAJvq_UbgrYzlWUZHjYZsoCnmrJ7WAEXIBkLLjlV3L-vj1E9rq9e_3j-kmo_I4Pjyx9zfQEua5JG6QNGj7Ia-BZ36CUFOSJzTYInjA-C6c/s1600/clip1.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_Wpaz1xwOgHqNbVUP0LpSycEovhJp-CrsxWAJvq_UbgrYzlWUZHjYZsoCnmrJ7WAEXIBkLLjlV3L-vj1E9rq9e_3j-kmo_I4Pjyx9zfQEua5JG6QNGj7Ia-BZ36CUFOSJzTYInjA-C6c/s200/clip1.JPG" width="200" /></a></div>
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<span style="background: white; font-family: "Franklin Gothic Demi Cond","sans-serif"; font-size: 10pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;">JOSH WEISSBACH <span style="mso-spacerun: yes;"> </span>38 River Road<span style="mso-spacerun: yes;"> </span>7:13 mins</span></div>
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<span style="background: white; font-family: "Franklin Gothic Demi Cond","sans-serif"; font-size: 10pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;"></span> </div>
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<span style="background: white; font-family: "Franklin Gothic Demi Cond","sans-serif"; font-size: 10pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;"></span><span style="background: white; color: #595959; font-family: "Arial","sans-serif"; font-size: 10pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB; mso-themecolor: text1; mso-themetint: 166;">The voice of a
figureless character is heard. The figure of a voiceless character is seen. A
sequence of estranged voicemails is framed by unidentified events. Fear resides
in the gesture of a telling.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgX6IwUUiYCbSSlRCWLfIRv8nMsEvX7PrBQO26hKOVPF3R2-naz1Bq3fT0ZmdB_9Xbi2y-qyzCs9w2PHSJLBZyz0uGVYY5TYdOLXeB1MqTQByDvJxybCdjeBxYF2PgHJg6sFS2CcE8_1Q/s1600/dear+foreigner.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="108" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgX6IwUUiYCbSSlRCWLfIRv8nMsEvX7PrBQO26hKOVPF3R2-naz1Bq3fT0ZmdB_9Xbi2y-qyzCs9w2PHSJLBZyz0uGVYY5TYdOLXeB1MqTQByDvJxybCdjeBxYF2PgHJg6sFS2CcE8_1Q/s200/dear+foreigner.JPG" width="200" /></a></div>
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<span style="font-family: "Franklin Gothic Demi Cond","sans-serif"; font-size: 10pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;">KATE JESSOP<span style="mso-spacerun: yes;">
</span>Dear Foreigner<span style="mso-spacerun: yes;"> </span>5:10 mins</span></div>
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<span style="font-family: "Franklin Gothic Demi Cond","sans-serif"; font-size: 10pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;"></span> </div>
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<span style="font-family: "Franklin Gothic Demi Cond","sans-serif"; font-size: 10pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;"></span><span lang="EN" style="color: #595959; font-family: "Arial","sans-serif"; font-size: 10pt; mso-ansi-language: EN; mso-themecolor: text1; mso-themetint: 166;">A woman's letter to the son she gave up at birth, 27
years later.<br />
The screen adaptation of a real award winning letter, commissioned by Festival D'Elle
Lettere, Milan.</span><span style="color: #595959; font-family: "Arial","sans-serif"; font-size: 10pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB; mso-themecolor: text1; mso-themetint: 166;"><br style="mso-special-character: line-break;" />
<!--[if !supportLineBreakNewLine]--><br style="mso-special-character: line-break;" />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgv1o59Ndft06t-3ZVFmAFZsKnlGNm80PdGKuhDSK9Je3Gz1aJiGxKZCASoJsvOVc06CfmQSOucoLnYvzBNrOrTh2ULqVUExkI1WrfGomPcLRB08DpRuqA7GzsqrOHSt8CEACFXe36Y85U/s1600/Sharone.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="111" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgv1o59Ndft06t-3ZVFmAFZsKnlGNm80PdGKuhDSK9Je3Gz1aJiGxKZCASoJsvOVc06CfmQSOucoLnYvzBNrOrTh2ULqVUExkI1WrfGomPcLRB08DpRuqA7GzsqrOHSt8CEACFXe36Y85U/s200/Sharone.png" width="200" /></a></div>
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<span style="font-family: "Franklin Gothic Demi Cond","sans-serif"; font-size: 10pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;"></span><span style="font-family: "Franklin Gothic Demi Cond","sans-serif"; font-size: 10pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;">Best city in the World-Looking after Belfast
(Raymond’s Loss) </span><span style="font-family: "Franklin Gothic Demi Cond","sans-serif"; font-size: 10pt; mso-bidi-font-family: Arial;">19:26 mins</span><span style="font-family: "Franklin Gothic Demi Cond","sans-serif"; font-size: 10pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;"> </span></div>
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<span style="font-family: "Franklin Gothic Demi Cond","sans-serif"; font-size: 10pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;"></span> </div>
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<span style="font-family: "Franklin Gothic Demi Cond","sans-serif"; font-size: 10pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;"></span><span style="color: #595959; font-family: "Arial","sans-serif"; font-size: 10pt; line-height: 115%; mso-themecolor: text1; mso-themetint: 166;">In early April 2010, the
artist placed an advertisement in several Northern Irish newspapers: “Israeli
woman visiting Belfast would like to meet people for advice about sharing a
country.” One respondent was Raymond McCord, a Protestant, whose son was
murdered by members of a Protestant militia during the conflict in Northern
Ireland. A year after their initial meetings, McCord took the artist in his car
to see the locations where his story is played out. The video was shot by the
artist with a handheld camera from the passenger seat.<o:p></o:p></span></div>
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<span style="color: #595959; font-family: "Arial","sans-serif"; font-size: 10pt; line-height: 115%; mso-themecolor: text1; mso-themetint: 166;"><o:p></o:p></span> </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsdUK-d2cIL4poC5F68e9xtOOKIJ5TwVEVHcYgc3SgtaM1giqapSRwfvuYBgWPZhq282vbq3vcWR_L2jgvt1ev_qmG7iU7k7sClXIpLA-2FM871HOu1Y8zP3Iv1Wc2wBBgaT7-ExD41Gg/s1600/family.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="148" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsdUK-d2cIL4poC5F68e9xtOOKIJ5TwVEVHcYgc3SgtaM1giqapSRwfvuYBgWPZhq282vbq3vcWR_L2jgvt1ev_qmG7iU7k7sClXIpLA-2FM871HOu1Y8zP3Iv1Wc2wBBgaT7-ExD41Gg/s200/family.JPG" width="200" /></a></div>
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<span style="font-family: "Franklin Gothic Demi Cond","sans-serif"; font-size: 10pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;">GRANT PETREY <span style="mso-spacerun: yes;"> </span>Family Fortunes<span style="mso-spacerun: yes;"> </span>2:30 mins</span></div>
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<span style="font-family: "Franklin Gothic Demi Cond","sans-serif"; font-size: 10pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;"></span><span style="color: #595959; font-family: "Arial","sans-serif"; font-size: 10pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB; mso-themecolor: text1; mso-themetint: 166;">Family Fortunes explores the
tensions present within the family unit that are unveiled via play.</span></div>
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<span style="color: #595959; font-family: "Arial","sans-serif"; font-size: 10pt; line-height: 115%; mso-themecolor: text1; mso-themetint: 166;"><o:p> </o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqMDheq8QeOezdhcb-EhZT0MGyOtyVqLtAbtW_voAAbz3j6MWMS-DCIPCR57qKe6v_lTFc59rYueIc-5ZPmDuFjDzzFD5jKWB99F9r3R73hEn-nMTaX8AihE_4dZWint-sAeULvRldgbI/s1600/AmarStill.tiff" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="112" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqMDheq8QeOezdhcb-EhZT0MGyOtyVqLtAbtW_voAAbz3j6MWMS-DCIPCR57qKe6v_lTFc59rYueIc-5ZPmDuFjDzzFD5jKWB99F9r3R73hEn-nMTaX8AihE_4dZWint-sAeULvRldgbI/s200/AmarStill.tiff" width="200" /></a></div>
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<span style="font-family: "Franklin Gothic Demi Cond","sans-serif"; font-size: 10pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;">ANDREW HINTON <span style="mso-spacerun: yes;"> </span>Amar<span style="mso-spacerun: yes;">
</span>9:40 mins</span><span style="color: #595959; font-family: "Arial","sans-serif"; font-size: 10pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB; mso-themecolor: text1; mso-themetint: 166;">Amar is 14 and top of his class.
Someday he'd like to be a professional cricketer, but for now he's the family's
main breadwinner, working two jobs six and a half days a week on top of attending
school in the afternoons. This short observational documentary is a simple
journey with Amar through his daily life.<o:p></o:p></span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-905009855684413230.post-8652244150640065932016-07-04T04:07:00.004-07:002016-07-04T04:07:56.645-07:00BACK IN THE AUTUMN<span style="color: #444444; font-size: large;">We will be back in September with another screening of fabulous films. In the meantime catch news and updates <span style="color: #3d85c6;">@1shortcircuit</span></span><br />
<span style="color: #444444; font-size: large;">If you have a film you would like to be considered send us a link to </span><a href="mailto:shortcircuitopencall@gmail.com"><span style="font-size: large;">shortcircuitopencall@gmail.com</span></a><br />
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-905009855684413230.post-50925358590986891482016-06-20T05:54:00.000-07:002016-06-21T07:15:19.734-07:00GOING NATURAL<span style="color: #666666; font-family: "arial" , "helvetica" , sans-serif; font-size: large;">All set for the next screening </span><br />
<span style="color: #666666; font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Thursday 30th June 6pm</span><span style="color: #666666; font-family: "arial" , "helvetica" , sans-serif; font-size: large;"> </span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGyYB3dPKytlAuuL2bgXoNJsFkFt3bY31obPbMU6n4yawYnxNeblDwUu01xMAmwqX9C8VwLqAnnKHRFhx_0CnC5f8QG_2dp6uQ1wpMivFw46P638xU2w7GktCAyH4R-CJz-ozyLJrZwjU/s1600/jw_still.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGyYB3dPKytlAuuL2bgXoNJsFkFt3bY31obPbMU6n4yawYnxNeblDwUu01xMAmwqX9C8VwLqAnnKHRFhx_0CnC5f8QG_2dp6uQ1wpMivFw46P638xU2w7GktCAyH4R-CJz-ozyLJrZwjU/s200/jw_still.jpg" width="200" /></a></div>
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<span style="background: white; font-family: "franklin gothic demi cond" , "sans-serif"; font-size: 10pt;">JAYNE WILSON <span style="mso-spacerun: yes;"> </span>Spin. Watching the Wind 2:40 mins<o:p></o:p></span></div>
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<span style="color: #595959; font-family: "arial" , "sans-serif"; font-size: 10pt;">The simple idea of observing wind
force, from its gentle and playful origins, toying with a seaside windmill, to
its inevitable portrayal beyond the familiar force 10, is given potency when
given the backdrop of the seaside idyll and its traditional seaside anthem.<o:p></o:p></span></div>
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<span style="color: #595959; font-family: "arial" , "sans-serif"; font-size: 10pt;"><o:p> </o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaK-uyjReP7DklWJMcA1lgdduKJ4Yx0NyZYYLFPbBDUlAAbf9CJhOCnlH8tLZdJjvsK4GFVviwqG8OPvPcmeb5tn5f5T4Q0RVvvZm-XQXOw0Pxp5KOarT5VcXj3tiJ_kyquakbPDALgoY/s1600/Discipline+and+phylogeny.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="112" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaK-uyjReP7DklWJMcA1lgdduKJ4Yx0NyZYYLFPbBDUlAAbf9CJhOCnlH8tLZdJjvsK4GFVviwqG8OPvPcmeb5tn5f5T4Q0RVvvZm-XQXOw0Pxp5KOarT5VcXj3tiJ_kyquakbPDALgoY/s200/Discipline+and+phylogeny.jpg" width="200" /></a></div>
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<span style="background: white; font-family: "franklin gothic demi cond" , "sans-serif"; font-size: 10pt;"><span style="background: white; font-family: "franklin gothic demi cond" , "sans-serif"; font-size: 10pt;">THOMAS KYHN ROVSING HJORNET</span> <span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>Disciplin
og Fylogenese 1:42 mins<o:p></o:p></span></div>
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<span style="color: #595959; font-family: "arial" , "sans-serif"; font-size: 10pt;">The
video is a montage of elements, still images and found footage, which, in the
resulting combination, revolve around the theme discipline/form, as related to
organisms in general and to the human organism specifically. The soundtrack
makes up an erratic supplement to the relative orderliness of the images.<o:p></o:p></span></div>
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<span style="background: white; font-family: "franklin gothic demi cond" , "sans-serif"; font-size: 10pt;">GULI SILBERSTEIN <span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>Machinic Phylum<span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>4:02
mins</span><span style="color: #cccccc; font-family: "arial" , "sans-serif"; font-size: 10pt;"> <o:p></o:p></span></div>
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<span style="color: #595959; font-family: "arial" , "sans-serif"; font-size: 10pt;">Symbiosis of human and nature
forms, by destruction of video coding. A little girl, earth from space and bits
of satellites get morphed together, creating vibrant substance in which the
girl slowly submerges. “The machinic phylum is materiality, natural or
artificial, both simultaneously; it is matter in movement, in flux, in
variation” – Gilles Deleuze and Félix Guattari, "A Thousand
Plateaus".<o:p></o:p></span></div>
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<span style="background: white; font-family: "franklin gothic demi cond" , "sans-serif"; font-size: 10pt;">HIROYA SAKURAI<span style="mso-spacerun: yes;"> The </span>Stream 5<span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>5:40 mins</span><span style="font-family: "arial" , "sans-serif"; font-size: 10pt;"><o:p></o:p></span></div>
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<span style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 10pt;">In the man-made waterways of rice paddies, the water in nature must</span><span style="color: #444444; font-family: "ms gothic"; font-size: 10pt;"> </span><span style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 10pt;">follow artificial rules.In that way,
nature is made abstract, giving rise to a</span><span style="color: #444444; font-family: "ms gothic"; font-size: 10pt;"> </span><span style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 10pt;">new form of beauty distinct from the natural state.
This shooting location was Ogura-ike Pond</span><span style="color: #444444; font-family: "ms gothic"; font-size: 10pt;"> </span><span style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 10pt;">Reclaimed Land in Uji City,Kyoto Prefecture.<o:p></o:p></span></div>
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<span style="background: white; font-family: "franklin gothic demi cond" , "sans-serif"; font-size: 10pt;">MEREDITH LACKEY <span style="mso-spacerun: yes;"> </span>Iron Condor <span style="mso-spacerun: yes;"> </span>10:10 mins</span><span style="color: #cccccc; font-family: "arial" , "sans-serif"; font-size: 10pt;"><o:p></o:p></span></div>
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<span style="color: #595959; font-family: "arial" , "sans-serif"; font-size: 10pt;">Iron Condor presents the sensible
evidence of the Chicago Futures and Options<o:p></o:p></span></div>
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<span style="color: #595959; font-family: "arial" , "sans-serif"; font-size: 10pt;">Exchange from grain to data. The
film takes its name from an option trading strategy whose profit/loss graph
resembles a large bird.<o:p></o:p></span></div>
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<span style="color: #595959; font-family: "arial" , "sans-serif"; font-size: 10pt;"><o:p> </o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhX8NYjaynjBYs1xttEStO5u6hsrgdkbjYGWscVUHos__xqZu8LV8jmQPSYJdEX_zhyphenhyphenrSGD_drq9a4aQHRkgxOJMhDPxWhtpBaNhPLiK8m4Hp-JDgJJbU3jqAfiOjVJVXE29FL2ZOvmd8k/s1600/clive.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="140" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhX8NYjaynjBYs1xttEStO5u6hsrgdkbjYGWscVUHos__xqZu8LV8jmQPSYJdEX_zhyphenhyphenrSGD_drq9a4aQHRkgxOJMhDPxWhtpBaNhPLiK8m4Hp-JDgJJbU3jqAfiOjVJVXE29FL2ZOvmd8k/s200/clive.JPG" width="200" /></a></div>
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<span style="background: white; font-family: "franklin gothic demi cond" , "sans-serif"; font-size: 10pt;">CLIVE ENNS<span style="mso-spacerun: yes;"> </span>Connecting with Nature<span style="mso-spacerun: yes;"> </span>1:28 mins<o:p></o:p></span></div>
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<span style="color: #555555; font-family: "arial" , "sans-serif"; font-size: 10pt;">An instructional video that lies
somewhere between the realms of infomercial and guide to spiritual
enlightenment.<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9BdpJP39WhL0nMNrAoiMvW1iND8CUbnfPMXcdEnWjceaoanxY6yjwU27gATka7lUX5scevPYkAwR0Rl9tj_7yykuOnFVxKYL8y9O9tJ_dipaITqGqmbznt3YRqDEcYB0urcx0Zn5MV30/s1600/runners.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="110" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9BdpJP39WhL0nMNrAoiMvW1iND8CUbnfPMXcdEnWjceaoanxY6yjwU27gATka7lUX5scevPYkAwR0Rl9tj_7yykuOnFVxKYL8y9O9tJ_dipaITqGqmbznt3YRqDEcYB0urcx0Zn5MV30/s200/runners.JPG" width="200" /></a></div>
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<span style="background: white; font-family: "franklin gothic demi cond" , "sans-serif"; font-size: 10pt;">LYNN DENNISON Runners<span style="mso-spacerun: yes;"> </span>8:32 mins<o:p></o:p></span></div>
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<span style="background: white; color: #595959; font-family: "arial" , "sans-serif"; font-size: 10pt;">In my short
films I investigate how we experience landscape in our daily lives; for
example, seen through the window whilst travelling by train, or running through
it as an exercise in keeping fit. 'Runners' is one in a series of videos which
document how people engage with the landscape in city parks, places which have
been designated as areas where people can enjoy ‘nature’.<o:p></o:p></span></div>
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<span style="background: white; color: #595959; font-family: "arial" , "sans-serif"; font-size: 10pt;"><o:p> </o:p></span></div>
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<span style="background: white; font-family: "franklin gothic demi cond" , "sans-serif"; font-size: 10pt;">MIRJAM BROMUNDT<span style="mso-spacerun: yes;"> </span>Hold Your Breath<span style="mso-spacerun: yes;"> </span>1:23<span style="mso-spacerun: yes;">
</span>mins<o:p></o:p></span></div>
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<span style="color: #595959; font-family: "arial" , "sans-serif"; font-size: 10pt;">‘Hold Your Breath’ is a montage
of single pictures, unfolding a frenetic journey that from its singularity ends
up as a universal image. The topic of traveling is the starting point for a
sensuous undertow that shakes our boundaries of perception.<o:p></o:p></span></div>
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<span style="background: white; font-family: "franklin gothic demi cond" , "sans-serif"; font-size: 10pt;"><o:p> </o:p></span></div>
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<span style="background: white; font-family: "franklin gothic demi cond" , "sans-serif"; font-size: 10pt;">SWINE STUDIO<span style="mso-spacerun: yes;"> </span>Hair Highway <span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>4:28
mins</span><span style="color: #595959; font-family: "arial" , "sans-serif"; font-size: 10pt;"><br />
</span><span style="color: #555555; font-family: "arial" , "sans-serif"; font-size: 10pt;">What if you could use human hair as an
alternative to diminishing natural materials? Studio Swine travel along the
Hair Highway to explore the hair trade and its potential as a future resource.<o:p></o:p></span></div>
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<span style="color: #555555; font-family: "arial" , "sans-serif"; font-size: 10pt;"><o:p> </o:p></span></div>
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<span style="font-family: "franklin gothic demi cond" , "sans-serif"; font-size: 10pt;">ANGELIKA HERTA The Best
Way<span style="mso-spacerun: yes;"> </span>10: 26<span style="mso-spacerun: yes;"> </span>mins<o:p></o:p></span></div>
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<span style="color: #555555; font-family: "arial" , "sans-serif"; font-size: 10pt;">Why blind people go on a journey? How
do they dream? Can they enjoy cinema? Steffi, the Voice Over of Apple, reads us
one day of a blind person who rails not only against such questions. This day
assembles collected stories of blind persons who answered my question: What
annoys you about the world of seeing people?<br />
</span><span style="color: #555555; font-family: "arial" , "sans-serif"; font-size: 9.5pt;"><br style="mso-special-character: line-break;" />
<!--[if !supportLineBreakNewLine]--><br style="mso-special-character: line-break;" />
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<span style="color: #444444; font-family: "arial";"></span><br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-905009855684413230.post-46677021210510118582016-05-09T02:32:00.000-07:002016-05-09T02:32:57.269-07:00GETTING PERSONAL<span style="color: #444444;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Short Circuit
gets personal on May 26th with
<span lang="EN" style="mso-ansi-language: EN;">seven stunning short films
that take a glimpse into lives around the world. </span></span></span><br />
<span lang="EN" style="mso-ansi-language: EN;"><o:p></o:p></span><span style="color: #444444; font-family: "arial" , "helvetica" , sans-serif;"> </span><br />
<span style="color: #444444; font-family: "arial" , "helvetica" , sans-serif;">
</span><span lang="EN" style="mso-ansi-language: EN;"><span style="color: #444444;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Screening starts at 7pm <br />
Show ends approximately 8pm<br />
The micro-cinema is in the bank vault situated at the back of the venue. <o:p></o:p></span></span></span><br />
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<span style="font-family: "arial";"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsHgl7r3frNs9Vyvn0M5tqI9Aq19C92ik6HazrX59nQVLygrgUsCnO31eYsbsFsQh1H2h65eeR41CMZVZuyQMdB_uIznN2g1MB-HaKqEtnrXSRLeKmHyEzcYUk0b73el5Hby5nEfsC59U/s1600/bonnieparker.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span style="color: #444444;"><img border="0" height="98" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsHgl7r3frNs9Vyvn0M5tqI9Aq19C92ik6HazrX59nQVLygrgUsCnO31eYsbsFsQh1H2h65eeR41CMZVZuyQMdB_uIznN2g1MB-HaKqEtnrXSRLeKmHyEzcYUk0b73el5Hby5nEfsC59U/s200/bonnieparker.JPG" width="200" /></span></a></span></div>
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<span style="font-family: "franklin gothic demi cond" , "sans-serif";"><span style="background-color: white;"><span style="color: black;"><span style="color: #444444;">ANASTASIA KIRILLOVA <span style="mso-spacerun: yes;"> </span>Sleepers Beat 16:30 mins</span></span></span></span></div>
<div class="first" style="text-align: left;">
<span style="font-family: "franklin gothic demi cond" , "sans-serif";"><span style="background-color: white;"><span style="color: black;"><o:p></o:p></span></span></span><span style="color: #444444;">Winner of the Sheffield Doc/Fest award for Best Documentary at the London Short Film Festival 2015</span></div>
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<span style="color: #444444;">In this cinematic ode to the Trans-Siberian railway, the train staff seem unable to live without the hypnotic beats and rattle of the train.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7NMS6eBJ-r9iphIoOXSJdSI9DjV4hNaZnOCa5r26JSM79gk8myjeSPjM4UIaFZOI-kroXTG2bSx1GK5rBbekdEDZRZMnGbWixHBawKsCnom_i6H4NgeJn-9S_Wpg74vsLqRp_4o8VAgw/s1600/massage.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="98" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7NMS6eBJ-r9iphIoOXSJdSI9DjV4hNaZnOCa5r26JSM79gk8myjeSPjM4UIaFZOI-kroXTG2bSx1GK5rBbekdEDZRZMnGbWixHBawKsCnom_i6H4NgeJn-9S_Wpg74vsLqRp_4o8VAgw/s200/massage.JPG" width="200" /></a></div>
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<span style="color: #444444; font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "franklin gothic demi cond" , "sans-serif";"><span style="background-color: white;"><span style="color: black;"><span style="color: #444444;">JULIE HILL A Short film About Massage 3:04 mins</span></span></span></span></span></div>
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<span style="color: #444444; font-family: "arial" , "helvetica" , sans-serif;">Shooting People Film Of The Month and was screened at Docheads.</span><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="color: #444444;">In this film we hear the thoughts and feelings of a woman who works in the City of London, over footage of her being massaged - and then hear the thoughts and feelings of her Tibetan Buddhist masseur. <span style="font-family: "arial" , "helvetica" , sans-serif;">Though they are in such close physical proximity they are worlds apart.</span></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgX-nRwEXTsYleuPti2lIJeFa4YZeHdkmv7q99Anq9t6b1wRG5zlm6QahV6YUZRIg-3yCkrF5lcBMaQeEbpUuET5wGfX3yUkTT8Urf1QYZCf5L_OcADf80Rq6lB4uZDQyj6j_5RiZJaMuQ/s1600/XO-NonFilms-2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span style="color: #444444;"><img border="0" height="142" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgX-nRwEXTsYleuPti2lIJeFa4YZeHdkmv7q99Anq9t6b1wRG5zlm6QahV6YUZRIg-3yCkrF5lcBMaQeEbpUuET5wGfX3yUkTT8Urf1QYZCf5L_OcADf80Rq6lB4uZDQyj6j_5RiZJaMuQ/s200/XO-NonFilms-2.jpg" width="200" /></span></a></div>
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<span style="font-family: "franklin gothic demi cond" , "sans-serif";"><span style="background-color: white;"><span style="color: black;"><span style="color: #444444;">NON FILMS XO<span style="mso-spacerun: yes;"> 3:30</span> mins<o:p></o:p></span></span></span></span></div>
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<span style="color: #444444;">Fearing her own memories, a girl begins the cerebral journey of longing for escape before completely fading away.</span></div>
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<span style="color: #444444;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuDl75_UDDO0V8nXgBl9x8ucC-LtvAKUsDH74AdnVjHe6jaIvIy23V5R6kSVQGxcj7JIB5ngZ7wk7qGeP1ifeq7SJLTdxYgUGeDMhw-o4mcOxb-sLBRPQqdfvH6J6-iJmY_TJ4qboGDUA/s1600/piotr.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="110" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuDl75_UDDO0V8nXgBl9x8ucC-LtvAKUsDH74AdnVjHe6jaIvIy23V5R6kSVQGxcj7JIB5ngZ7wk7qGeP1ifeq7SJLTdxYgUGeDMhw-o4mcOxb-sLBRPQqdfvH6J6-iJmY_TJ4qboGDUA/s200/piotr.JPG" width="200" /></a></span></div>
<span style="font-family: "franklin gothic demi cond" , "sans-serif";"><span style="background-color: white;"><span style="color: black;"><span style="color: #444444;">P</span></span></span></span><span style="font-family: "franklin gothic demi cond" , "sans-serif";"><span style="background-color: white;"><span style="color: black;"><span style="color: #444444;">IOTR PIASTA<span style="mso-spacerun: yes;"> Piorun Stanisloaw from Brudnow</span> 4:00 mins<o:p></o:p></span></span></span></span><br />
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<span style="color: #444444;">'Piorun Stanislaw from Brudnow' comes from the series 'Last Object' which is a collection of portraits of old people who live in a rural area in central Poland. We do not see them in the film but we can hear their voices, see objects they used in their past and objects they use now. <br />In this particular film we meet Mr Stanislaw Piorun at his house. He tells a story about a curse which can be spelled just by a sheer admiration. Mr Piorun gives a solution on how to get rid of a curse.</span></div>
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<span style="color: #444444;"><span style="font-family: "franklin gothic demi cond" , "sans-serif";"><span style="background-color: white;"><span style="color: black;">BRENDA MILLER<span style="mso-spacerun: yes;"> Landscape with two Women</span> 4:58 mins<o:p></o:p></span></span></span><br />A film exploring scenarios linking women, textiles, knowledge, skills and history.</span></div>
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<span style="font-family: "franklin gothic demi cond" , "sans-serif";"><span style="background-color: white;"><span style="color: black;"><span style="color: #444444;">JASON M ROBINSON El Portal 7:48 mins</span></span></span></span></div>
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<span style="color: #444444;">El Portal is about the Cedar Motor Lodge in El Portal, California (population: 474). Combining vintage analogue home videos with footage shot this Summer, the film spans twenty five years, weaving together the complicated and tragic story of the lodge with the film maker’s family history. </span></div>
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<span style="font-family: "franklin gothic demi cond" , "sans-serif";"><span style="background-color: white;"><span style="color: black;"><span style="color: #444444;">ANDY ROWE Goat Foot Egg Grenade 7:26 mins</span></span></span></span></div>
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<span style="color: #444444;">The film is part of an artistic comedy documentary film project about friendship and is experienced as a piece that celebrates the differences that exist between people. The piece demonstrates that friendship can still flourish even when personal backgrounds and belief systems are completely opposite.</span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-905009855684413230.post-64789424308506050902016-04-12T06:34:00.000-07:002016-05-06T08:14:52.319-07:00ON CAMERA<div class="separator" style="clear: both; text-align: left;">
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<span style="background-color: white; color: black; font-family: "arial" , "helvetica" , sans-serif;"><strong>April's screening includes films from the UK, USA, Portugal, Spain and Germany</strong></span></div>
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<strong><span style="background-color: white; color: black; font-family: "arial";">Don't miss it</span></strong> </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUWlWpAKhDNHjiOp5_b7_PEMMhpfjQRT-YaXDxXrVl8aUB7h3pBO6WV-0tTrU6XrJD2KfXu3UQhiD41dsldjl4i-ETMgA_hJ0xw6jYnR5N78rdRcICOy00GKZUEBJZI8kd53GKN81DcLE/s1600/april+poster_colour.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUWlWpAKhDNHjiOp5_b7_PEMMhpfjQRT-YaXDxXrVl8aUB7h3pBO6WV-0tTrU6XrJD2KfXu3UQhiD41dsldjl4i-ETMgA_hJ0xw6jYnR5N78rdRcICOy00GKZUEBJZI8kd53GKN81DcLE/s640/april+poster_colour.jpg" width="426" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgklqGjNFqsilSqHqOZHOC6WMiSKhpF_a8kGO3-woF2m3SBew-_w3oh8Ir5CMvq3MpnNvyrychxBbwqpHG4BKVE0AW4qMPXQ9p_xSEo24_6MLYmMvfLMrmdSX51H9v5wVbocodWkOWzmik/s1600/toho1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="147" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgklqGjNFqsilSqHqOZHOC6WMiSKhpF_a8kGO3-woF2m3SBew-_w3oh8Ir5CMvq3MpnNvyrychxBbwqpHG4BKVE0AW4qMPXQ9p_xSEo24_6MLYmMvfLMrmdSX51H9v5wVbocodWkOWzmik/s200/toho1.jpg" width="200" /></a></div>
<span style="font-family: "franklin gothic demi cond" , "sans-serif";"><span style="background-color: white;"><span style="color: black;">SELLOTAPE CINEMA <span style="mso-spacerun: yes;"> </span>Film Bites<span style="mso-spacerun: yes;"> </span>12:53 mins<o:p></o:p></span></span></span></div>
<span style="background-color: white;"><span style="color: black;"><span style="font-family: "calibri";">Part experimental documentary and part film essay, FilmBites ruminates on how the medium converses with philosophy. </span></span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnSCTx2bN6pdExXoTiJwv9I-uGgUm9NlVszLT77-gmxrbXB6OWzx9-M6mxIh4QUl7Sr4AyYcJ-GKcK1gf7HkHZTiFdIYRQ-jPHDIrv5NHwLhs0EoRUgFiAY8Q_B7RWMDuLSnVVuKEXZxw/s1600/tim.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="108" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnSCTx2bN6pdExXoTiJwv9I-uGgUm9NlVszLT77-gmxrbXB6OWzx9-M6mxIh4QUl7Sr4AyYcJ-GKcK1gf7HkHZTiFdIYRQ-jPHDIrv5NHwLhs0EoRUgFiAY8Q_B7RWMDuLSnVVuKEXZxw/s200/tim.JPG" width="200" /></a></div>
<span style="font-family: "franklin gothic demi cond" , "sans-serif";"><span style="background-color: white;"><span style="color: black;">TIM NEATH<span style="mso-spacerun: yes;"> </span>Iron Horse of the Studio 11:55 mins<o:p></o:p></span></span></span><br />
<span style="background-color: white;"><span style="color: black;"><span style="font-family: "calibri";">Miniature towns, devoid of life, ever changing in form as the models disintegrate, new ones taking their place acting as film sets to be photographed and filmed.<o:p></o:p></span></span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxe4Jv5IeTQPOaF3vnBZaIYuKF0slxSYelQNeoEbM4RVLPZJ6e1uWwGnFg_kZR_TkWJEEyztcjpsN3StKErHnVKvyzPYGYz5ERotAmyQADB8BLJhNXF9ImCRDyXJHb1hDSKqK7Ey8r2jY/s1600/Capture.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="138" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxe4Jv5IeTQPOaF3vnBZaIYuKF0slxSYelQNeoEbM4RVLPZJ6e1uWwGnFg_kZR_TkWJEEyztcjpsN3StKErHnVKvyzPYGYz5ERotAmyQADB8BLJhNXF9ImCRDyXJHb1hDSKqK7Ey8r2jY/s200/Capture.JPG" width="200" /></a></div>
<span style="background-color: white; color: black;"></span><span style="background-color: white;"><span style="color: black;"><span style="font-family: "franklin gothic demi cond" , "sans-serif";">NAREN WILKS<span style="mso-spacerun: yes;"> </span>One Man, Eight Cameras<span style="mso-spacerun: yes;"> </span>2:20 mins</span><o:p></o:p></span></span><br />
<span style="background-color: white;"><span style="color: black;"><span style="font-family: "calibri";">A man in a circular room explores a curious phenomenon, in which 8 synchronised versions of himself temporarily form to create a rotationally symmetric, kaleidoscopic world.</span></span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfL1U9WYgnMmryoCt9b3tOTIR0Y2ow-YEdpoyS1-jgcXjzUdinyrjPPlVzGJKN01Tik8jtTx-_dADrPJ1BkJ0QObK3-eVd96q1nKASfYGGlu4DwGkmy08cu5_6BtgH7tiJgNzfQCF7Qvk/s1600/S.MacW+-+After+Image.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="160" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfL1U9WYgnMmryoCt9b3tOTIR0Y2ow-YEdpoyS1-jgcXjzUdinyrjPPlVzGJKN01Tik8jtTx-_dADrPJ1BkJ0QObK3-eVd96q1nKASfYGGlu4DwGkmy08cu5_6BtgH7tiJgNzfQCF7Qvk/s200/S.MacW+-+After+Image.jpg" width="200" /></a></div>
<span style="background-color: white;"><span style="color: black;"><span style="font-family: "franklin gothic demi cond" , "sans-serif"; mso-bidi-font-style: italic; mso-bidi-font-weight: bold;">SUSAN MACWILLIAM</span><b><i><span style="line-height: 115%;"><span style="font-family: "calibri";"> </span></span></i></b><span style="font-family: "franklin gothic demi cond" , "sans-serif"; mso-bidi-font-style: italic; mso-bidi-font-weight: bold;"><span style="mso-spacerun: yes;"> </span>After Image </span><b><i><span style="line-height: 115%;"><span style="mso-spacerun: yes;"><span style="font-family: "calibri";"> </span></span></span></i></b><span style="font-family: "franklin gothic demi cond" , "sans-serif"; mso-bidi-font-style: italic; mso-bidi-font-weight: bold;">4:33 mins</span></span></span><b><i><span style="color: #555555; line-height: 115%;"><br /><span style="background-color: white; color: black; font-family: "calibri";"></span></span></i></b><span style="mso-bidi-font-style: italic; mso-bidi-font-weight: bold;"><span style="font-family: "calibri";"><span style="background-color: white;"><span style="color: black;">Delving into the bizarre and the extraordinary, ‘After Image’ explores the myth that the last image seen before death is retained on the retina of the eye. The belief was validated by advancements in photography and scientific experiments carried out in Germany during the 1870s.</span></span></span></span><br />
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<span style="font-family: "franklin gothic demi cond" , "sans-serif";"><span style="background-color: white;"><span style="color: black;">KATIE LENTON Our Hamartia 2:44 mins<o:p></o:p></span></span></span><br />
<span style="background-color: white;"><span style="color: black;"><span style="mso-bidi-font-family: Arial; mso-bidi-font-weight: bold;"><span style="font-family: "calibri";">Needless Creation <span style="mso-spacerun: yes;"> </span>to Superfluous Want <span style="mso-spacerun: yes;"> </span>to Redundant Waste. This is Our Hamartia.</span></span></span></span><br />
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<span style="background-color: white;"><span style="color: black;"><span lang="FR" style="font-family: "franklin gothic demi cond" , "sans-serif"; mso-ansi-language: FR;">JOSE SIMOES<span style="mso-spacerun: yes;"> </span>96000 cameras<span style="mso-spacerun: yes;"> </span>13:46 mins<o:p></o:p></span></span></span><br />
<span style="background-color: white;"><span style="color: black;"><span style="font-family: "calibri";">The most common story going around about this man is the one about the camera in the box. It is said that you can disassemble a Leica camera, put all the parts in a box, shake it, and he will reassemble it for you with his eyes closed. </span></span></span><br />
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<span style="background-color: white;"><span style="color: black;"><span style="font-family: "franklin gothic demi cond" , "sans-serif";">LOUIS FRIED<span style="mso-spacerun: yes;"> </span>Postcard to Godzilla<span style="mso-spacerun: yes;"> </span>5:32 mins<o:p></o:p></span></span></span><br />
<span style="background-color: white;"><span style="color: black;"><span style="font-family: "calibri";">Dear G., the city is nice, the weather so-so. As soon as it gets a little milder,<o:p></o:p></span></span></span><br />
<span style="background-color: white;"><span style="color: black;"><span style="font-family: "calibri";">the cranes in the harbour start singing their same old song. U would like it.<o:p></o:p></span></span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUNY9fsJqzNz0AhA0W11U8Bveo829I2wMJaPIOzfkjBnvyIuMY_-vUebDNqLb_7f9R3nG_cEmJ-1er4S79TEGTV3IukoAfctMNTGU7D_2vVWre2UU8_QxP7DfEODYRyuD0xh4pOG7FpJc/s1600/Modulaciones_en_la_terraza_04.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="112" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUNY9fsJqzNz0AhA0W11U8Bveo829I2wMJaPIOzfkjBnvyIuMY_-vUebDNqLb_7f9R3nG_cEmJ-1er4S79TEGTV3IukoAfctMNTGU7D_2vVWre2UU8_QxP7DfEODYRyuD0xh4pOG7FpJc/s200/Modulaciones_en_la_terraza_04.jpg" width="200" /></a></div>
<span style="background-color: white; color: black;"></span><span style="background-color: white;"><span style="color: black;"><span lang="FR" style="font-family: "franklin gothic demi cond" , "sans-serif"; mso-ansi-language: FR;">ENRIQUE PINUEL</span><span lang="FR" style="mso-ansi-language: FR;"><span style="mso-spacerun: yes;"><span style="font-family: "arial";"> </span></span></span><span lang="FR" style="font-family: "franklin gothic demi cond" , "sans-serif"; mso-ansi-language: FR;">Modulations on the Terrace<span style="mso-spacerun: yes;"> </span>5:09 mins</span><span lang="FR" style="mso-ansi-language: FR;"><o:p></o:p></span></span></span><br />
<span style="background-color: white;"><span style="color: black;"><span style="font-family: "calibri" , "sans-serif"; mso-ascii-theme-font: minor-latin; mso-bidi-font-style: italic; mso-hansi-theme-font: minor-latin;">Film made with two photographs taken at the Unité d'Habitation, Le Corbusier in Marseille. For the editing the film are used a film adaptation of the rules of the Modular<o:p></o:p></span></span></span><br />
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<span style="font-family: "franklin gothic demi cond" , "sans-serif";"><span style="background-color: white;"><span style="color: black;">PETER FREUND <span style="mso-spacerun: yes;"> </span>Camp<span style="mso-spacerun: yes;"> </span>7:15 mins<o:p></o:p></span></span></span><br />
<span style="background-color: white; color: black;"></span><span style="font-family: "calibri";"><span style="background-color: white; color: black;">Archival projects are best where they decisively fail to re contextualize</span>. <o:p></o:p></span><br />
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-905009855684413230.post-76804403948848204452016-02-10T05:23:00.000-08:002016-04-12T06:10:54.615-07:00INFINITE POSSIBILITIES<div class="separator" style="clear: both; text-align: center;">
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<span style="color: #666666; font-family: "arial" , "helvetica" , sans-serif;">Artists and filmmakers for February's screening. </span></div>
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PHOEBE HALSTEAD</span><span style="color: #666666; font-family: "calibri";">Stefan hell explains super-resolved fluorescence microscopy</span></span> </span><span style="color: #666666; font-family: "calibri";"></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjljvvkW61-pcoF_Uia7IZrPijad1jDbYXU9eEnEWohRTlhV7Q5gDqvQCsc706u4M9LhlynXnPsyO19P7rOw8QhkCHFdEd1-x3GPtHfLNKR7uzo9iU9CIdO3DPo7y5W30u5R2WsZDk_O8c/s1600/hettie_02.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="112" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjljvvkW61-pcoF_Uia7IZrPijad1jDbYXU9eEnEWohRTlhV7Q5gDqvQCsc706u4M9LhlynXnPsyO19P7rOw8QhkCHFdEd1-x3GPtHfLNKR7uzo9iU9CIdO3DPo7y5W30u5R2WsZDk_O8c/s200/hettie_02.jpg" width="200" /></a><span style="font-family: "franklin gothic demi cond" , "sans-serif";"><span style="font-family: "franklin gothic demi cond" , "sans-serif";"><span style="color: #666666;">HETTIE GRIFFITHS<span style="mso-spacerun: yes;"> </span></span></span></span></div>
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</span><span style="font-family: "franklin gothic demi cond" , "sans-serif";"><span style="color: #666666; font-family: "calibri";">Visualising how a virus travels, spreads and invades the body. </span></span><br />
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</span><span style="font-family: "franklin gothic demi cond" , "sans-serif";"><span style="font-family: "franklin gothic demi cond" , "sans-serif";"><span style="color: #666666;">HOLLINGTON & KYPRIANO<span style="mso-spacerun: yes;"> </span></span></span></span></div>
<span style="font-family: "franklin gothic demi cond" , "sans-serif";"><span style="color: #666666; font-family: "calibri";">‘Dedicated to the memory of ‘The Royal Aircraft Establishment’-which was one of the important and top- secret aeronautical research centres in the world.</span></span><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGOkgmIZjo-ShADIUxWbupq0gd0GQTeeNenDPcMT_DOP3MjbKsPQphlhtU1uiCcs0uhSEESwfJiqnN7ctW_jGgBWRIIKuVLoB6UXaYn2jyuOA8ehbTBLGh45Y7c3E6P_ox3Jl1wn7RYxY/s1600/TOWN.Still001.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="112" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGOkgmIZjo-ShADIUxWbupq0gd0GQTeeNenDPcMT_DOP3MjbKsPQphlhtU1uiCcs0uhSEESwfJiqnN7ctW_jGgBWRIIKuVLoB6UXaYn2jyuOA8ehbTBLGh45Y7c3E6P_ox3Jl1wn7RYxY/s200/TOWN.Still001.jpg" width="200" /></a><span style="font-family: "franklin gothic demi cond" , "sans-serif";">
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<span style="font-family: "franklin gothic demi cond" , "sans-serif";"><span style="color: #666666;">PEDRO LACERDA<span style="mso-spacerun: yes;"> </span></span></span><br />
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</span><span style="font-family: "calibri";"><span style="color: #666666;">LSD and hallucinogens.</span></span><span style="font-family: "franklin gothic demi cond" , "sans-serif";"><span style="color: #666666;"></span></span><br />
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<span style="font-family: "franklin gothic demi cond" , "sans-serif";"><span style="color: #666666;">JAMES RAVINET</span></span></div>
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<o:p><span style="color: #666666; font-family: "calibri";">A short video experiment based on the computational layering of material design in paradigm user interfaces.</span></o:p><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjm9VsruyNSVUmcPyBWHxltCOfVWI-vc1h6qBA2YNSByAsiT4F49HJupHUP3u4xkEvHtc2fO109I5dmz6HShMyCruQmo8Gs5hksDeAGXQxaz0rdgseRBFNwxCilNK9M3YKCOvly-JA-3oc/s1600/TOWN.Still002.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="112" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjm9VsruyNSVUmcPyBWHxltCOfVWI-vc1h6qBA2YNSByAsiT4F49HJupHUP3u4xkEvHtc2fO109I5dmz6HShMyCruQmo8Gs5hksDeAGXQxaz0rdgseRBFNwxCilNK9M3YKCOvly-JA-3oc/s200/TOWN.Still002.jpg" width="200" /></a><span style="font-family: "franklin gothic demi cond" , "sans-serif";"><span style="color: #666666;">EMILY HOWELLS
& ANNE WILKINS. <span style="mso-spacerun: yes;"> </span>PRODUCED BY ROB
SPERANZA<span style="mso-spacerun: yes;"> </span></span></span></div>
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<span style="font-family: "calibri";"><span style="color: #666666;">An animated
poem about the dangers of smoking.</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoYbqKrY0HYSXqPZvnrj90yasl_eHaYXvPegZE5053vOTmt9_I-11BUAQ0zgKfFPPhZqOevVmc6Noloqch5XGrRyZQAEeZk35mLxDbfYIGLXvni-NP_k7hXxedFBFG6gk07pXPNwfpwhI/s1600/on_air.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="150" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoYbqKrY0HYSXqPZvnrj90yasl_eHaYXvPegZE5053vOTmt9_I-11BUAQ0zgKfFPPhZqOevVmc6Noloqch5XGrRyZQAEeZk35mLxDbfYIGLXvni-NP_k7hXxedFBFG6gk07pXPNwfpwhI/s200/on_air.jpg" width="200" /></a></div>
<span style="font-family: "calibri";"><span style="font-family: "franklin gothic demi cond" , "sans-serif";"><span style="color: #666666;">JAYNE WILSON<span style="mso-spacerun: yes;"> </span></span></span><br />
</span><span style="font-family: "calibri";"><span style="color: #666666; font-family: "calibri";">The journey of a wireless radio broadcast. </span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDLbD_glrb5M6MsAZJtJPU5JpKjSf684RpCApi-9vXmBW1-xHvqYCbcRoOLhAlnik6C7WzKwCMJxK3vdTVpWLpsd84VWV4UOGBREAJ7g5WOFHu5JDCkaeqlevD3pq6g4S76WNzPIuVvdw/s1600/hettie_01.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="112" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDLbD_glrb5M6MsAZJtJPU5JpKjSf684RpCApi-9vXmBW1-xHvqYCbcRoOLhAlnik6C7WzKwCMJxK3vdTVpWLpsd84VWV4UOGBREAJ7g5WOFHu5JDCkaeqlevD3pq6g4S76WNzPIuVvdw/s200/hettie_01.jpg" width="200" /></a></div>
<span style="font-family: "franklin gothic demi cond" , "sans-serif";"><span style="color: #666666;">HETTIE
GRIFFITHS<span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span></span></span></div>
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<span style="color: #666666; font-family: "calibri";">The extraordinary imagery created in the name of science leads to a series of "marcoscopic experiments. </span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjr8wcWdb4I2IOJRCzwZK6OAWqbd7LidgXMdQ3XJK52g5HAWXmyi44kU9FKPrZTaiXzCb0a1h0NSGlDRsSQkF1W02kHdNGT44H0bGGJQ-fR-9ZAJS4qsHB30dlPflOGuwFKoVmiJJ5QbAc/s1600/TOWN.Still003.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="112" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjr8wcWdb4I2IOJRCzwZK6OAWqbd7LidgXMdQ3XJK52g5HAWXmyi44kU9FKPrZTaiXzCb0a1h0NSGlDRsSQkF1W02kHdNGT44H0bGGJQ-fR-9ZAJS4qsHB30dlPflOGuwFKoVmiJJ5QbAc/s200/TOWN.Still003.jpg" width="200" /></a><span style="font-family: "franklin gothic demi cond" , "sans-serif";"><span style="color: #666666;">CHRIS OAKLEY<span style="mso-spacerun: yes;"> </span></span></span><br />
<div class="MsoNormal" style="margin: 0cm 0cm 0pt;">
<span style="color: #666666; font-family: "calibri";">Exploring the heritage of nuclear energy from the roots of the technology that drove the industrial revolution. </span> </div>
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<span style="font-family: "franklin gothic demi cond" , "sans-serif";"><span style="color: black; font-family: "franklin gothic demi cond" , "sans-serif"; mso-bidi-font-family: Arial; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;"><span style="color: #666666;">JAMES RAVINET <span style="mso-spacerun: yes;"> </span></span></span><br /><span style="color: black; mso-bidi-font-family: Arial; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;"><span style="color: #666666; font-family: "calibri";"> Acknowledging the process of shipwrecking as a method to deal with the complexities of the changing landscape. </span></span><span style="color: black; mso-bidi-font-family: Arial; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;"><span style="color: #666666; font-family: "calibri";">By artist groups YoHa/Critical Art Ensemble</span></span></span></div>
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<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-905009855684413230.post-8713476711868617432016-01-30T10:14:00.000-08:002016-01-30T10:14:43.960-08:00TOWN & COUNTRY<span style="color: #666666; font-family: Arial, Helvetica, sans-serif;">The films and filmmakers that featured in </span><span style="color: #666666; font-family: Arial;">January's screening</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbyBKIpDva7TnVtJYKKO6ERX4RRRAcXibQ7zsC_Hd92KU845VbbCpcLVPmOeEogiw-FStak9CO9NNGqeMZonbSzgRYGmAolD9NxleilL8NAasyrxCe3pBBQp4U0VDA5U6m9x20EHZvoHE/s1600/derek.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="112" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbyBKIpDva7TnVtJYKKO6ERX4RRRAcXibQ7zsC_Hd92KU845VbbCpcLVPmOeEogiw-FStak9CO9NNGqeMZonbSzgRYGmAolD9NxleilL8NAasyrxCe3pBBQp4U0VDA5U6m9x20EHZvoHE/s200/derek.jpg" width="200" /></a></div>
<span style="font-family: "Franklin Gothic Demi Cond","sans-serif";"><span style="color: #666666;">PHOEBE HALSTEAD<span style="mso-spacerun: yes;"> </span>Derek and his Shells<span style="mso-spacerun: yes;"> </span>3:00mins<o:p></o:p></span></span><br />
<span style="font-family: Calibri;"><div class="MsoNormal" style="margin: 0cm 0cm 0pt;">
<span style="color: #666666;">In the
backwaters of Norfolk there is a broad, and by that broad there is a house. </span></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt;">
<span style="color: #666666;">And
at the back of that house there is a caravan.<o:p></o:p></span></div>
</span><div class="MsoNormal" style="margin: 0cm 0cm 0pt;">
<span style="font-family: Calibri;"><span style="color: #666666;">And in that
caravan is Derek and his shells.<o:p></o:p></span></span></div>
<span style="color: #666666;">
<i style="mso-bidi-font-style: normal;"><span style="font-size: 9pt; line-height: 115%;"><span style="font-family: Calibri;">Short film made for Channel 4's Random Acts 2013 <o:p></o:p></span></span></i></span><br />
<span style="color: #666666;">
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<span style="font-family: "Franklin Gothic Demi Cond","sans-serif";"><span style="color: #666666;"></span></span><br />
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<span style="font-family: "Franklin Gothic Demi Cond","sans-serif";"><span style="color: #666666;">JACK WORMELL<span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>A
Roost for Every Bird<span style="mso-spacerun: yes;"> </span>5:42mins<o:p></o:p></span></span><br />
<span style="color: #666666;">
</span><span lang="EN" style="color: #080808; mso-ansi-language: EN; mso-bidi-font-family: Arial;"><span style="font-family: Calibri;"><span style="color: #666666;">A
friend of mine likes to make sweeping statements about London. He sometimes
says things like: “In South London you can’t get a good kebab”; implying that
you can only get a decent kebab in North or East London because of the large
Turkish and Greek communities in the area. Then he had a really good kebab in
Camberwell. Features sheep and skyscrapers.<o:p></o:p></span></span></span><br />
<b style="mso-bidi-font-weight: normal;"><o:p><span style="color: #666666; font-family: Calibri;"></span></o:p></b><br />
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<span style="color: #666666;">
<span style="font-family: "Franklin Gothic Demi Cond","sans-serif";">EMMA CHARLES <span style="mso-spacerun: yes;"> </span>After the Bell<span style="mso-spacerun: yes;"> </span>3:48mins<o:p></o:p></span></span><br />
<span style="color: #666666;">
<span style="font-family: Calibri;">After The
Bell is a financial term for activity by traders occurring after the close of
the stock market. Used here to refer to the night workers that enter these
spaces after trading has stopped.<b style="mso-bidi-font-weight: normal;"><o:p></o:p></b></span></span><br />
<span style="color: #666666;">
<span style="font-family: Calibri;">Based in the
financial district of London, this video is an investigation of the unseen and
the marginal. Concentrating on the maintenance staff working within a
stockbroker company, it explores the relationship between two types of
‘invisibility’ – that of the night workers and the environment in which they
work, which functions on the basis of abstract monetary exchange which has
itself, no physical entity. Hundreds of workers enter these spaces at night,
momentarily crossing paths with a trader working late. They are fundamental to
the everyday functioning of a global economy yet their presence is only
recognised under the cover of darkness.<o:p></o:p></span></span><br />
<span style="color: #666666;">
</span><br />
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<span style="color: #666666;">
</span><span style="color: black; font-family: "Franklin Gothic Demi Cond","sans-serif"; mso-bidi-font-family: Arial; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;"><span style="color: #666666;">RHODRI WILLIAMS<span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>Art of
Motion<span style="mso-spacerun: yes;"> </span>4:09mins</span></span><br />
<span style="color: #666666; font-family: Calibri;">'Art of Motion' is a short documentary exploring 'Parkour'. It looks at the deeper philosophical meaning behind the activity and its sense of community'</span><br />
<span style="color: #666666;">
</span><br />
<span style="font-family: "Franklin Gothic Demi Cond","sans-serif";"><span style="color: #666666;"></span></span><br />
<span style="font-family: "Franklin Gothic Demi Cond","sans-serif";"><span style="color: #666666;"></span></span><br />
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<span style="font-family: "Franklin Gothic Demi Cond","sans-serif";"><span style="color: #666666;">MELANIE MENAUD <span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>Disciplinary Institutions<span style="mso-spacerun: yes;"> </span>7:00mins<o:p></o:p></span></span><br />
<span style="color: #666666;">
<span style="font-family: Calibri;">'Disciplinary
Institutions' explores places used to make undesirable/helpless people
disappear discretely (Magdalene convents, mental asylums, workhouses). Rather
than purely documenting the buildings, it shows how the long gone inmates keep
imprinting these places long after they are dead, and the malevolent aura still
cast by those buildings in collective memory. </span></span><br />
<span style="color: #666666; font-family: Calibri;"></span><br />
<span style="color: #666666;">
<span style="font-family: "Franklin Gothic Demi Cond","sans-serif";"></span></span><br />
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<span style="color: #666666;"><span style="font-family: "Franklin Gothic Demi Cond","sans-serif";">KATIE GOODWIN <span style="mso-spacerun: yes;"> </span>Tuprutus<span style="mso-spacerun: yes;">
</span>5:00mins<o:p></o:p></span></span><br />
<span style="color: #666666;">
<span style="font-family: Calibri;">Animation
with the voice of Timo Halonen<o:p></o:p></span></span><br />
<span style="color: #666666;">
<o:p><span style="font-family: Calibri;"> </span></o:p></span><br />
<span style="color: #666666;">
<span style="font-family: "Franklin Gothic Demi Cond","sans-serif";"></span></span><br />
<span style="color: #666666;"><span style="font-family: "Franklin Gothic Demi Cond","sans-serif";"></span></span><br />
<span style="color: #666666;"><span style="font-family: "Franklin Gothic Demi Cond","sans-serif";"></span></span><br />
<span style="color: #666666;"><span style="font-family: "Franklin Gothic Demi Cond","sans-serif";"></span></span><br />
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<span style="color: #666666;"><span style="font-family: "Franklin Gothic Demi Cond","sans-serif";">WILLIE ROBB Take 7<span style="mso-spacerun: yes;"> </span>5:48mins<o:p></o:p></span></span><br />
<span style="color: #666666;">
<span style="mso-bidi-font-family: Arial; mso-bidi-font-weight: bold;"><span style="font-family: Calibri;">Take 7 is a short
film that follows the energy stories of seven families over four seasons and
the influence that solar power has had on their lives. All the families, who
relied on pre-payment meters for paying their electricity bills, were given
solar panels by their social landlord in the summer of 2014. </span></span></span><br />
<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi28K5EQq9CcLWcF36YDaadQYUsI60N2FS0Qdv8Vni49Mp-BTVSZuFPEntLwsK91L5D2TdAp9i0wKW1UsSztcl6e-tV5yT7CuW3dW7DI_wx4PHjGXNCJKz5NMss8aKZfJm7kG5ZzilRNik/s1600/riverbed.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="112" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi28K5EQq9CcLWcF36YDaadQYUsI60N2FS0Qdv8Vni49Mp-BTVSZuFPEntLwsK91L5D2TdAp9i0wKW1UsSztcl6e-tV5yT7CuW3dW7DI_wx4PHjGXNCJKz5NMss8aKZfJm7kG5ZzilRNik/s200/riverbed.png" width="200" /></a></div>
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<span style="color: black; font-family: "Franklin Gothic Demi Cond","sans-serif"; mso-bidi-font-family: Arial; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;"><span style="color: #666666;">MANDY
WILLIAMS Riverbed Stories <span style="mso-spacerun: yes;"> </span>5:00mins</span></span></div>
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<span style="color: black; font-family: "Franklin Gothic Demi Cond","sans-serif"; mso-bidi-font-family: Arial; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;"><span style="color: #666666; font-family: Calibri;"><o:p>'Riverbed Stories is a short video that documents an area of London along two riverbeds- a place of natural beauty polluted by fly tipping. The video, which uses colour, black and white and toned footage, is a personal response to this landscape with its underlying narrative about presence and loss. </o:p></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFOp8a3q_zq1DB1MXVLLox81QRBxSd_hOryAnlVuvgRPMYT9FrvpAIiCjavA3DeI9_G8mfvYPiCv4bArhZcNHSI_QNmyi6EQEIVjCvdgVR40aHjVChR-CmZh2kZFH8mBqGvHfrf1I9dnE/s1600/Screen+Shot+2016-01-14+at+23.50.54.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="153" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFOp8a3q_zq1DB1MXVLLox81QRBxSd_hOryAnlVuvgRPMYT9FrvpAIiCjavA3DeI9_G8mfvYPiCv4bArhZcNHSI_QNmyi6EQEIVjCvdgVR40aHjVChR-CmZh2kZFH8mBqGvHfrf1I9dnE/s200/Screen+Shot+2016-01-14+at+23.50.54.png" width="200" /></a></div>
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<span style="color: black; font-family: "Franklin Gothic Demi Cond","sans-serif"; mso-bidi-font-family: Arial; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;"><span style="color: #666666;">SELLOTAPE CINEMA <span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>Journey
Reimagined<span style="mso-spacerun: yes;"> </span>3:38mins<o:p></o:p></span></span></div>
<span style="color: #666666;"><span style="font-family: Calibri;">Sellotape Cinema creates film worked directly onto sticky tape and played through a specially adapted projector. This medium lends itself to processes usually associated with experimental film, montage, direct to film techniques, as well as media specific techniques, notably 'flayed paper'</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivFkQaOO6LaE0zdGOv7hcsAR3b9drAoSMbbsigcJ39sByzLV3QD3JU0rnwzjw4jcWH-YYl3onpBUtJ1rdRYgM6r_iMDg8GkRzN9yr36ep7-rPf1iuhhlmj8HgawnqPEgg_YUOiisHVBa0/s1600/chalk2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="112" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivFkQaOO6LaE0zdGOv7hcsAR3b9drAoSMbbsigcJ39sByzLV3QD3JU0rnwzjw4jcWH-YYl3onpBUtJ1rdRYgM6r_iMDg8GkRzN9yr36ep7-rPf1iuhhlmj8HgawnqPEgg_YUOiisHVBa0/s200/chalk2.jpg" width="200" /></a></div>
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<span style="font-family: "Franklin Gothic Demi Cond","sans-serif";"><span style="color: #666666;">ESTHER
JOHNSON<span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>Chalk Trace<span style="mso-spacerun: yes;">
</span>2:36mins<o:p></o:p></span></span></div>
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</span><span style="color: #444444;"><span style="font-family: Calibri;">As a child
in the 1950s, Ron Cockroft drew a chalk line from his school in Oldham to his
home in Chadderton. Chalk Trace commemorates and reanimates his graffiti
journey through a now much changed network of streets. The film was
photographed in the original streets of Oldham as they stand today – over 60
years after Ron’s original graffiti.</span></span><br />
<span style="color: #444444;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 9pt; line-height: 115%;"><span style="font-family: Calibri;"> Commissioned by Film London for the Channel Four television strand Random
Acts <o:p></o:p></span></span></i></span><br />
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<i style="mso-bidi-font-style: normal;"><span style="font-size: 9pt; line-height: 115%;"><span style="font-family: Calibri;"> in association with Arts Council England<o:p></o:p></span></span></i></span><br />
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<span style="font-size: 9pt; line-height: 115%;"><o:p><span style="font-family: Calibri;"> </span></o:p></span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-905009855684413230.post-47932234073765239112016-01-18T12:02:00.001-08:002016-01-18T12:02:31.621-08:00JANUARY SCREENING Town & Country<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="color: #444444;"><span style="color: #666666;"><span style="line-height: 1.5em;">We are excited to announce the</span> artists and filmmakers for January's screening next week. The films from<span style="font-family: Times New Roman;"><span style="font-family: Arial, Helvetica, sans-serif;"> emerging talent to more established directors </span></span>document the stories of </span></span></span><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="color: #444444;"><span style="color: #666666;">'Town and Country' in widely differing ways. </span><br />
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First screening is at 7pm. Seating is limited so get there early to grab your seat, coffee and cake. The screening will last 50 minutes.<br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="color: #444444;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhy0RXqNKGLeR5eh9equTY-uNQEg4BvJlxQ4QgrKzuplGlS2X7WTC7XiG989F6_TytHoIMmdIIlhFeRJt_cpCjvudfAVDwL3g0hka0Gz_hjvYXmsKQXh2ewX4hC2bC5bMq3rhE0pQW-qKI/s1600/poster+jan.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhy0RXqNKGLeR5eh9equTY-uNQEg4BvJlxQ4QgrKzuplGlS2X7WTC7XiG989F6_TytHoIMmdIIlhFeRJt_cpCjvudfAVDwL3g0hka0Gz_hjvYXmsKQXh2ewX4hC2bC5bMq3rhE0pQW-qKI/s640/poster+jan.jpg" width="425" /></a></span></span></div>
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</span></span><br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-905009855684413230.post-40993078486538087262015-11-29T08:38:00.000-08:002016-01-18T11:53:56.153-08:00SCIENCE FILMS<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjD0Oe57s6FWDcfNX2EH9j0W8967c88Dpv300xKW7rXZkyb-i3zLOfVMlo2Cmw4PwA1HVSVuPGKCS8tx4hhKZl49a_Hnbd8xCid1RlZCYM5E9z3o4m7YYzDRjZ3Suyd9yN0XsyegE3MSI8/s1600/moon.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="260" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjD0Oe57s6FWDcfNX2EH9j0W8967c88Dpv300xKW7rXZkyb-i3zLOfVMlo2Cmw4PwA1HVSVuPGKCS8tx4hhKZl49a_Hnbd8xCid1RlZCYM5E9z3o4m7YYzDRjZ3Suyd9yN0XsyegE3MSI8/s320/moon.jpg" width="320" /></a></div>
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<span style="color: #666666; font-family: "arial" , "helvetica" , sans-serif;"><span style="color: #666666;">We are programming a night of 'Science' films with a diverse mix of informative and abstract shorts. From films that inform and educate, to films to that stir up a creative curiosity.<br />
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Do you have a film inspired by bacteria or the wonders of chemistry, from astronomy to engineering we'd like to see it. Deadline: January 20th</span>
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<span style="color: #666666; font-family: "arial" , "helvetica" , sans-serif;">
</span><a href="mailto:shortcircuitopencall@gmail.com"><span style="font-family: "arial" , "helvetica" , sans-serif;">shortcircuitopencall@gmail.com</span></a><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;"> </span>
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</span></span>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-905009855684413230.post-28134975625374473552015-11-29T08:02:00.000-08:002016-01-18T11:52:25.195-08:00THE FIRST FEW <span style="color: #666666; font-family: "arial" , "helvetica" , sans-serif; font-size: medium;">The first films for the open call have come flying in. </span><span style="color: black; font-size: medium;"></span><br />
<span style="color: #666666; font-family: "arial" , "helvetica" , sans-serif; font-size: medium;">Keep them coming.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiouvtXgKk7BT1swwp-BEvBzj3D6t4-NfK3A5lxXow3woPXDBUmWILIbPaOuEw1ZLjxMpZEc7KGNm2Ud4R6DkCt3wTJcrg0qcwEJRzhFryA6nGLWddwuHqMstxkBIvoqJCroNaUrTn98y4/s1600/scout.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="217" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiouvtXgKk7BT1swwp-BEvBzj3D6t4-NfK3A5lxXow3woPXDBUmWILIbPaOuEw1ZLjxMpZEc7KGNm2Ud4R6DkCt3wTJcrg0qcwEJRzhFryA6nGLWddwuHqMstxkBIvoqJCroNaUrTn98y4/s320/scout.jpg" width="320" /></a></div>
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<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-905009855684413230.post-45588848538842443192015-11-16T02:54:00.000-08:002015-11-23T04:52:57.446-08:00OPEN CALL <br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNaRYJKCYJ8rT14r7oPAWbzye1dLmbJvWcEcxbcKqyeF6VXVnxzZGHQYG1tMM7YI0MKDT_VC1OyZCzUVmB5a1uGIIWteLJis-d3W17euR-eDmp-E9jZdKaRbHYhrWBI1B_fyPpzjaEYfc/s1600/cropped+logo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="178" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNaRYJKCYJ8rT14r7oPAWbzye1dLmbJvWcEcxbcKqyeF6VXVnxzZGHQYG1tMM7YI0MKDT_VC1OyZCzUVmB5a1uGIIWteLJis-d3W17euR-eDmp-E9jZdKaRbHYhrWBI1B_fyPpzjaEYfc/s200/cropped+logo.jpg" width="200" /></a></div>
<span style="color: #595959; font-family: "arial" , "sans-serif"; mso-themecolor: text1; mso-themetint: 166;"> </span><br />
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<div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="color: #595959; font-family: "arial" , "sans-serif"; font-size: 12pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB; mso-themecolor: text1; mso-themetint: 166;"><strong>SHORT CIRCUIT</strong> is a new film night screening short experimental documentaries selected from an open call. Short Circuit shows films with an unconventional approach, works that are distinctly artist film, yet have their roots in fact or documentary.</span></div>
<div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="color: #595959; font-family: "arial" , "sans-serif"; font-size: 12pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB; mso-themecolor: text1; mso-themetint: 166;">The screenings will be on the
last Thursday of the month at Presuming Ed, Brighton.</span></div>
<span style="color: #595959; font-family: "arial" , "sans-serif"; font-size: 12pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB; mso-themecolor: text1; mso-themetint: 166;">To submit your short film, no longer
than 10 minutes, send a link to preview the film online with a
password if required, a short summary of the film(50words max) and a jpg still 800x600px) to <a href="mailto:shortcircuitopencall@gmail.com"><span style="color: black;"><strong>shortcircuitopencall@gmail.com</strong></span></a><span style="color: black;"> </span></span><br />
<span style="color: #595959; font-family: "arial" , "sans-serif"; font-size: 12pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB; mso-themecolor: text1; mso-themetint: 166;"></span><br />
<span style="color: #595959; font-family: "arial" , "sans-serif"; font-size: 12pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB; mso-themecolor: text1; mso-themetint: 166;">Deadline 20th December</span><br />
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<span style="color: #595959; font-family: "arial" , "sans-serif"; font-size: 12pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB; mso-themecolor: text1; mso-themetint: 166;">We will contact you if your film
is selected.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhV1Lgyk_O0YlZq8dwIr8dtNOwZWCa5gjmpAFuOA7MPcjCm7wyIFRmNC9CcAM9zPU_DREdaLp1iGoDSEva_3-FuQ2MbT1lx24uLiMCCZuwOOZoj9Ittga2lr_SUYp1LmCwfJ064mkqOgKw/s1600/ed+pic.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhV1Lgyk_O0YlZq8dwIr8dtNOwZWCa5gjmpAFuOA7MPcjCm7wyIFRmNC9CcAM9zPU_DREdaLp1iGoDSEva_3-FuQ2MbT1lx24uLiMCCZuwOOZoj9Ittga2lr_SUYp1LmCwfJ064mkqOgKw/s320/ed+pic.JPG" width="276" /></a></div>
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Unknownnoreply@blogger.com0